It's time for links again!

Here's one to an ongoing comparison of fingerloop braids, together with instructions for each band, from Silkewerk.

Variations on yarn-overs, from Ysolda's blog. Just in case you want to tweak the size of your yarn-overs to make them exactly the same size.

If you read German and like things that make noise and stink (also known as ancient fireweapons), the page of the Bummsbrigade Hamborch should be just the thing for you. (If you don't read German, they are working on an English version of the page, according to said page, and you could look at the pictures of their stuff, "Zeug", meanwhile.)

It's very grey and wintery outside these days, but we still have no snow - as opposed to where my parents live, they've already had some of the white stuff.

It is nice to slowly migrate towards the calmer time of the year, though. While there are still plenty of things left to do hereabouts, there is no more fair or show or market for now, which greatly reduces the urgency of certain things. And that is a very good thing, as I still feel like I could use some more days off to relax and regenerate.

For now, though, having some nice quiet time in the evenings and looking forward to the weekend will have to do. Oh, and motivational hot beverages help as well. Plus chocolate. And the fact that it is pleasant work, overall - even if it is still work.

Just in case you would rather like to learn something new (or old) instead of reading me rambling on about the weather and wanting some holidays, here's a website helping you learn Middle English. Chaucer, anyone?

Or maybe a gratuitous knitting pic? I've succumbed to the lure of all that yarn while at the Kreativ, plus it was cool in the hall - so I just had to cast on for a snuggly triangular scarf/shawl. It's made from one skein of sock wool in the "Jeans" colourway, dyed by Margit from Alte Künste. (Here's the shop link.) I finished it a few days ago, and I've been enjoying its snugglyness ever since.

After all these linky posts, it's time to do a "what is happening here" post again.

Yesterday, I finished the current state of a project - sewing basic garments for a new open-air museum, the Freilichtlabor Lauresham - and sent the things on their merry way to their new home. The project is not completely finished yet, but the next part will have to wait until the cloth for tunic and hose have been woven and dyed, which will take at least a few more weeks. I'd have loved for them to have all the clothes in time for the opening on this Sunday, but unfortunately, we were not able to get the cloth issue sorted out in time for that. (This proves again: textile stuff just gobbles up time.)

With this off my back and off my agenda, it is time to turn to the next exciting bits on the to-do list. So today, I'll do my level best to get some more work done on the Textile Forum. Check our website at www.textileforum.org tonight or tomorrow for the preliminary programme. And if you want to join, you can still register for the conference!

Another conference I have to prepare for is Crafting Textiles from the Bronze Age to AD 1600, taking place on October 10 and 11 in London. (This year is the year of travelling to England for me!) I will be giving a presentation about spinning as a historical craft, and I'm looking forward to that conference very, very much already. The programme is full of interesting papers!

Today's the last day of the Free Shipping offer on the Dread Pirate Roberts knitting pattern. If you were planning to get one, today is the day to do it!

As I already hinted: it was wonderful at LonCon. That was not only my first WorldCon, but also my first convention ever, and I started full speed ahead - with a dealer's table and a one-hour presentation about medieval textile crafts (with examples from London).

I met a lot of wonderful people, and I had the joyful experience of having an hour and a half on the very first evening, giving my presentation. Thanks again to the wonderful organiser of the academic track, Emma England, who made this possible! From the feedback that I got afterwards, it was an enjoyable experience for my audience, and I had a lot of fun too. There was a bit of an "aaargh!" moment at the very beginning, when I found out that all of the six (six!) microphones on the table were live, and fretted over toppling them over with my textile tools. There were a few further "oops" moments during the presentation, when I did my tools and process demonstrations before having clicked on to the cue cards in the presentation slideshow... but all of these were very minor and more something to grin sheepishly about than to really be troubled.

Apart from that first evening of (enjoyable) work, I spent the time after 18:00 hanging out with friends in filk concerts and in the "Fan Village", or at one of the several dances. During the day, I was mostly at our table in the Dealer's Hall, and that was not any less enjoyable, thanks to lovely customers, colleagues and neighbours. Susanne, our trusty and immensely helpful sidekick, hung out with us most of the time, helping to sell and chat - it wouldn't have been possible to enjoy the Con half as much without her. In fact, we had so much fun we decided it would be nice to do this again - surely not at the next WorldCon, because that is in the US, but there are more conventions apart from that one...

I also learned (quickly, hah!) about the Thing with the ribbons. You see, for your con attendance, you get a plastic badge that you hang around your neck. And if you like, you can stick ribbons to the bottom of it, stacking them. If you are really keen on ribbons, you do that until you have a long, scarf-like tail of cloth hanging from your badge. (I just wanted a few. I ended up with eleven.) There were some official ones (such as the bright orange "Dealers" ribbon, or the light blue "Programme Participant" ribbon, or the multi-coloured "First Worldcon" ribbon) marked with the LonCon symbol. Most of them, though, were unofficial and made by fans, and with all kinds of statements on them - such as "I <3 -="" a="" advertising="" and="" back="" because="" bid="" book="" br="" bryan="" citations="" city="" convention.="" coveted="" dead="" did="" doctor="" dog="" during="" evening="" fetch="" few="" film="" for="" four="" future="" get="" go="" his="" host="" hotel="" i="" instantly="" kind="" last="" making="" manage="" me="" my="" of="" on="" one="" or="" out="" party="" really="" ribbons="" room="" s="" saw="" showing="" so="" support="" that="" the="" there="" thing="" three="" to="" totally="" very="" wanted="" was="" were="" worldcons.="">

The Con also saw the debut of the pattern for Dread Pirate Roberts' Favourite Winter Hat (ravelry pattern page link here), and it was very well received indeed!

The pattern is printed in colour, contains clear illustrated instructions for the special moves that are necessary for the lace part, and is now available via my webshop. Since I wanted to be able to sell it as a printed version, and prints do cost money, I am not planning to offer it as a download for at least a while (read: until the printing costs are, at least to a good part, regained). I know that it's nice to pay, download, and start right away if you buy an electronic pattern, but I did want very much to have the real ink-on-paper version for this one.

And as the introductory offer, you will pay no shipping costs if you order it now! The offer is valid until September 10, 2014.

Here's the more-or-lesss promised short break in the blog hiatus...

I've had a very busy few days, finishing the preparations for LonCon - writing lists, preparing goods, packing up stuff, and playing with Powerpoint - and I will start traveling into the rough direction of London tomorrow.

In case you are visiting LonCon, or plan to, or need another excuse to go there, I will be at table F16 in the Dealer's Hall together with Margit from Ancient Arts.

In addition to that, I am part of the programme and will be giving a presentation belonging to the Academic Track, a conference about Diversity in Science Fiction and Fantasy. I've been granted a special session for this - and it will include a spinning technique demonstration, among other fun things to see and learn about textile techniques. Sounds interesting? I will be in the Capital Suite 6 (Level 3), 8pm - 9:30pm, and the presentation title is Spin A Yarn, Add a Twist, Weave A Tale: Textile Crafts in Medieval London.

The pattern for Dread Pirate Roberts' Favourite Winter Hat has also been finished and printed in time for LonCon, and it will have its release there. I'm very, very happy with it!
The pattern is printed in colour, contains clear illustrated instructions for the special moves that are necessary for the lace part, and is exactly 13 pages long - very fitting for a pirate-y knitting pattern. After I return from LonCon, it will also be available via my webshop and Ravelry.
If you are at LonCon, please drop by and say hello - I'd love to see you there!

Want to see the oldest bottle of wine? You find it here.

If you are rather looking for about 1.5 kg of chocolate turned into an anatomically correct replica of a human skull, look no further.

Speaking of skulls, Dread Pirate Roberts' Favourite Winter Hat is currently being test-knit by a group of lovely folks over at Ravelry. I hope to have it available as a pattern soon - and will take it to LonCon, too.

Other not so nice news regarding SFF: Marion Zimmer Bradley had a dark side, protecting her child-abusing husband as well as molesting herself. Jim C. Hines has a blog post about this, with further links.

Here is, finally, the thing I've been working on, knitting-wise. I call it "Dread Pirate Roberts' Favourite Winter Hat", because, well, you know... pirates can have cold ears too.



There you go. A pirate hat. And here's a closeup of the Jolly Roger motif:



The hat is knit from the crown downwards, so there's no need for doing a gauge test. I recommend knitting with smaller needles than recommended on the ball bands, however, to get a fairly dense structure or else the Jolly Roger won't come out so well. Wool, for its blocking malleability, is also a firm recommendation.

There are quite a few special moves involved in knitting this, including an unusual decrease, some cabling, some creative stuff with elongated stitches, and the lace (yes, technically, it's a lace-esque structure) that makes the skull. Pirate knitters are known to be fearless, though, so it should not be a problem. Right, matey?

I will be writing up the pattern tomorrow - and then, then I will be looking for someone to test-knit it. If you'd like to do that, let me know in the comments or send me an email!