There’s some more mini stuff going on here at the moment, though this time, it is actually work-related… and weaving-themed.

When I explain textile techniques, one of the basic things that come up again and again is weaving – especially the topic of warp-weighted looms. Explaining the natural and artificial shed, and how weaving is done on that loom type, is easier done as demonstration, but obviously there’s not always a loom available.

So, when in the situation of having to explain this stuff ages ago for a seminar, I cobbled together a small functional model of a warp-weighted loom. The “cloth” that I set up for it, though, was very narrow, and the heddles were not well done, and the weights were… well, let’s say “cobbled together” does really just do it justice.

Now there’s another explaining occasion coming up on the horizon (well, actually, on the pretty close horizon), and I decided to set the loom up again, properly this time. Which means actually doing a bit of maths to figure out a sensible loom weight weight (does that make sense?) and thinking about scale a little.

Scaling down textile stuff… it’s a pain in the neck. One of the basic problems of scaling down things for models is getting the textures right. If we’re thinking textiles and especially garments, this includes fall and drape of the things – and that typically means yo need to use a much finer, thinner material than the original is made of.

This can be possible in some instances, but when you have a fine, drapey fabric from the start, you’ll run into the nigh-impossible very soon. This, by the way, is the main reason why I have never done garment reconstructions on a smaller scale than human-sized, and why I am not a fan of showing clothing (reconstructions) on dolls. It just won’t work with the original material, and scaling down small stitches and seams is another can of worms I’d rather not open.

Another scaling-down problem is the size-to-weight ratios of things. Obviously, for a for-show-only thing, this is not relevant – but if you want a functioning model for demonstration purposes, it will bite your behind quicker than you can say “volume”. If you take a cube with 2 cm side length, its volume is 8 cm³. Double its side length to 4 cm, and it will have 64 cm³ volume. Now if you want to scale down a warp-weighted loom and wish it still to function, you need a minimum tension for each thread, and you’ll have more threads per cm on your loom than in the original fabric, so you will need more tension per cm – and you have less space for loom weights if they are supposed to look roughly in scale. Which means… you need a material with higher density than the original.

For the first instance of the loom, I just used wooden globes with a bore through the middle, giving just enough weight for the shed to open (albeit a little unwillingly). That does not look good, though, nor does it work really well, and especially won’t really work for a wider weave.

Since I want to get sensible tension on the threads, though, I might find myself in a fishing tackle store later today, to buy lead weighs originally intended to lure carp to their doom. And then I can move on to get this loom set up – because right now, it looks like this:

little_loom

…and that’s a little unfinished, and a little sad. Also, I’d like to have it working properly on Monday… what was that quip about the last minute being so important, or else nothing would ever be finished?

Posted in work-related | 4 Comments

The trusty online dictionary tells me that the English equivalent to the German “Was lange währt, wird endlich gut” is “Good things come to those who wait”. Which is a fancy way to tell you that finally, finally… the miniatures for the Space Cadets game are painted and varnished and matte-varnished.

FINALLY.

I’ve had a lot of fun with them, and then I sort of fell into the trap of wanting to have them perfect, which meant that it was still fun, but a very long-term type of it. Also, some of them were really hard to paint with all the nooks and crannies, and tiny details. Which meant that I had to be relaxed and awake and fit enough for the painting, and there had to be enough light, and that was not always the case, especially not when there were lots of other things to do, so they took a bakcseat for a while, until I pulled them out again, and did some more work on them.

Then they were finished, and we did our research homework on how to seal them. The savvy Internet told us that a very good way would be to use glossy varnish as a first coat, as it’s more durable than matte varnish, and then use an anti-shine coat on top. Which means that if you handle them a lot, they will get shiny first, before there’s real damage to the paint – and you can just re-matte-coat them. (And that’s probably way, way over-engineered, but hey. Who cares, right?)

So we had the plan, we had the varnish, but what we did not have was the coincidence of a) decent and warm enough weather, b) no wind and c) time and leisure to actually apply the coats.

Until this weekend, when all came together and I could finally, finally finish them off. So here, after this wall of text, is your picture proof:

minis_together

I’m quite happy with how they turned out – and now we can go and save the Earth as Space Cadets!

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In case you couldn’t see the blog these days – I’m trying to switch the site over to SSl, and as usual, not everything is going all smoothly all the time. So – some figuring out on how to get this switch done is on  the agenda.

Other agenda things: Write up the article for the NESAT publication. There was some Bernuthsfeld work done today (there’s always a few more details that need to be looked for); there was some knitting-related stuff (Margit is writing up a pattern for socks, and we’re planning to offer a few of the patterns she is showing as testknits). Emails with requests were handled – in short, it was one of these days where lots of small things happen, but in the end, it feels like nothing much was done. (Which is not true, but can be really irritating at times.)

So… a fairly typical Monday, I’d say. And now I hope this blog post will be nice and visible, and the comment section will behave, too (I’ve been told it has been acting up, but I haven’t found out why yet).

Posted in behind the (website) scenes | 1 Comment

The Bernuthsfeld Man’s tunic is really a rather special affair – a very, very simple cut, but it is put together from only patches. It’s not a heavily worn tunic that was patched up.

Most publications about the tunic are in German, including one published in one of the NESAT proceedings, which includes this overview picture of the tunic’s front:

nesat6_100

Picture from: Farke, Heidemarie. “Der Männerkittel aus Bernuthsfeld. Beobachtungen während einer Restaurierung.” In Textiles in European Archaeology. Report from the 6th NESAT Symposium, 7-11th May 1996 in Borås, edited by Lise Bender Jørgensen and Christina Rinaldo, 99-106. Göteborg, 1998, p. 100.

As you can see, it’s rather… patchy. The individual bits of fabric all show marks of wear from previous use, possibly in garments; there’s lots of twill variations and only rather few plain weave bits. My count is 19 different fabrics, used for 43 patches. Some of them are folded double, others are used as single layer. The “cut”, if you can call it that without there having been proper garment cutting, is as simple as possible.

Why that tunic looks like it does? Nobody knows – it is a singular piece (alas, like quite a few textile finds). With its patches, possibly in different colours, but at least in very different kinds of fabric, all looking old and worn, and with the very conspicuous checkered fabric #31 right on the breast in front, it would have been very obvious that this was not a “normal” member of society, though. There are a few late medieval images that show beggars dressed in very, very patched garments – so maybe this tunic was a beggar’s work clothing?

Posted in Bernuthsfeld Man, togs from bogs | Leave a comment

While I was at it, and the Zwirnzwerg was out, I finally finished spinning up that nice, dyed top that had been hanging out here for a good while. It was about 150 g altogether, which means it’s a rather generous amount for a pair of socks, but way too little for anything sweater-like. I have more than enough pairs of socks, though (the sock drawer is overflowing), and I also have more scarf- or shawl-like objects than I actually wear. Same goes for hats. Which means… sweater-like things are currently high on the list of stuff I’d like to knit.

So out came some of the Gotland sheep wool. There must be an upside to having different kinds of wool for sale, right? And obviously, from time to time, I have to check whether the quality is good and it spins nicely…

Well, I can tell you – it did. The fibre is really lovely, with a soft, silky feel to it, and the colour is ever so slightly variegated, since the grey effect is achieved by a mix of dark and white individual fibres. It looks very nice, and very chic all on its own.

So. Spinning took place, which means that after a while, I had this:

lazykate

…which turns into something like this when plied together:

pliedyarn

And that’s the current status. Which will not progress at all until tonight, when I will hopefully have a nice hour or two on the sofa, with the spinning dwarf in front of me, humming away quietly and turning these two singles into lovely, lovely yarn to knit with…

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There was some spinning today… in both black, and white. The reason for this is the exciting new and large project – recreating the finds (including the garments) that were found with the bog body of the Man from Bernuthsfeld (Wikipedia has an article about him, but only in German).

The body and the finds were off for research since 2011, but have returned last summer to the Landesmuseum Emden. The wish to show a better picture of the man, and how he might have looked in his lifetime, has led to this reconstruction project of the finds… which is totally awesome, and means a lot of (partly quite fiddly) work.

First step, after the extensive planning, is getting the fabrics. And, you might have guessed it – they are not your common garden-variety pieces, available without a problem in the next fabric shop. The tunic is put together from patches – more than 40! – and these patches are mostly from already worn fabrics, more than 20 different kinds.

Weaving small bits of fabric (a patch here, a patch there, patches, patches everywhere) is much less efficient than weaving a proper, large piece – which means that a lot of the planning was figuring out how large the individual pieces have to be, and how they can be woven without driving everybody involved utterly crazy.

The yarns are partly also a problem – which is the reason that I did a tiny bit of spinning. The rest of the yarns will be machine-spun, but as close to the original yarns as possible, and the weaving has already started. So exciting!

bernie_yarn

The yarn, dark and light – it is for a checkered patch that sits prominently on the breast of the tunic…

Posted in Bernuthsfeld Man, togs from bogs | 5 Comments

Just in case you are looking for a job connected to experience archaeology: There’s a job opening in Dorset for an Ancient Technology Tutor, teaching children. There’s a second job in the same place, the Cranborne Ancient Technology Centre, for an Outdoor Education Administrator. Both offers have an application deadline on June 18.

And just in case you’re looking for something to read: Springer is running an e-book sale, where all English e-books published before 2004 are available for 9.99 €. You need to enter the coupon code SBA17E when ordering, and you can take a look at the books here.

Aarhus Uni Press is offering “Mobile Bodies, Mobile Souls” as free e-book of the month. The book is taking a look at the complex relationships between family, religion and migration.

Posted in and now for something completely different | Leave a comment