Sometimes, well, things sort of line up. This time, they lined up to lure me down the hole into that extensive rabbit warren that is late medieval to early modern legwear (men's legwear, that is).
The things that lined up were a) the Alpirsbach project, b) the currently ongoing clothes-like-in-a-picture project, and c) the almost-eternal updating and translating of the thesis project.
The latter would greatly benefit from some more details in regard to the legwear reconstruction and development, both in the theoretical part and in the (very short, I know) practical results part. The first is skimpy as there was next to nothing known (now I know of a little bit more), and the latter is superdupershort because, well, it is toward the very end of the book and I was running out of time, and even more running out of steam.
There's this classical thesis writing timeline, you see. You start out and you're told that you should do it within three years, and at the beginning, that sounds like forever and a day, and you start, and suddenly the first year is over but well, you made progress and starting out is always a little slower, and then suddenly you are nearing the three-year mark but there is still so much to look into and tweak and to study and to read and to try and then you are close to year four (four! When did this happen!) and in some instant of painful insight you realise that really the only thing you want now IS TO FREAKING FINALLY GET FINISHED WITH THIS THING THAT IS EATING YOUR LIFE AND WILL NEVER STOP DOING SO UNLESS YOU MAKE IT STOP BY HANDING IT IN AND NO I WILL NOT LOOK INTO THAT BOOK AGAIN I WILL JUST DELETE THIS REMINDER RIGHT NOW HERE YOU GO CHAPTER DONE. Phew.
This may be a little dramatic, but at times, that really was how it felt. I was told about this timeline before (as probably everybody starting out on a PhD is). And I did what everyone in that situation does, just like every author has to be convinced that their new book is the hottest shit ever and will sell like nothing else, and every editor has to listen to this and nod quietly and think to themselves "yeah, yeah", I was told about this timeline and I nodded quietly and I thought "yeah, yeah" and then, suddenly, well, see above.
The legwear, at that point, was still sort of basic ideas and outlines only, and it did get elaborated on enough to pass, but, well, see above. By now, I have realised that there is enough material and open questions about just the development of male legwear throughout the centuries that it would easily merit its own PhD, so I won't be able to cover it all, but I'd like to have a little bit of extension to the short chapter in the updated version.
There's several stages in the development - at first, the hose are just getting longer but with no cut-out necessary for the crotch yet; then they have to get even longer and need some kind of crotch solution; then they cover the front as well, needing something to cover up the gap between the two leg parts. At some point, the two hose get joined by sewing them together, and that is probably only the butt first, and then there's the codpiece at some point getting added to both cover up the front (where previously breeches and shirt may have been seen) and also offering possibilities to have the construction a little easier in the lower butt and lower crotch area.
However... this hose development goes hand in hand with the shortening tunics in male fashion, and plenty of men in the not-so-fashionable strata of society just go on wearing the mid-thigh to knee tunic, and the old-fashioned legwear going with it. The other guys, well, we don't have a lot of finds, and we do have a good bit of images but they have this maddening tendency of only almost showing the bits with the crucial information. Argh.
So now I find myself pondering pattern developments (at least I have one new idea! Yay!), folding up little bits of paper, drawing on any sheet that is in reach while some question comes up, and even thinking of making small fabric mock-ups. Plus spending quite a bit of time staring at men's butts and legs in medieval art. Which is, admittedly, also kind of... fun.
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