The last workshop I gave turned out a little differently than planned - a little smaller due to some illnesses, and a little more open-themed, partly as a consequence of that.

The result of this change toward more openness, and more diverse topics, pleased all of us no end. So much, in fact, that I have decided to rethink my workshop/course structure in general. Since one of the issues for workshops is to get enough people interested in the course topic together, on that one specific date, having an open-topic workshop takes out this major issue, so it's easier for me to have a workshop. An added benefit? Participants can have a look at what the other participants do, and maybe widen their interest.

So while I will keep up the offer of courses catering to a specific topic - especially for groups or museums that want to have a course or workshop tailored to their topic of choice - I will also offer small, open-topic workshops hereabouts.

These will be small because it's not possible to run multiple topics in a large group. A small one, however, allows for it since all the textile work is a bit of instruction, a bit of working on it by yourself. So basically, the open-themed courses are going to work like this: you book your course spot, and we will figure out what you are going to focus on during the workshop. I will then prepare your topic accordingly, and you can work on it during the course day(s), getting the instruction you need and want, with the opportunity to soak up some extra knowledge from what other participants focus on. (Or even switch focus, if you want that.)

I'm currently sorting out dates for the next three workshops of this type and am writing up the info text for the shop... so it will be online soon. And I'm already looking forward to the first of these workshops - since the last one was such a nice experience!

It's winter time, the time for planning, or so it seems. Also the time for registering at conferences. For example the Experimental Archaeology conference in Oxford:

Dear Colleagues,

 

Registrations are now open for the 8^th UK Experimental Archaeology Conference that will take place in Oxford on 10 & 11 January 2014.

 

The registration fee is £55 for both days if you register before 1 December 2013. For more details and if you would like to have a look at the provisional program, feel free to visit our website: http://experimentalarchaeology.org.uk/

 

To register, follow this link:

http://www.oxforduniversitystores.co.uk/browse/extra_info.asp?compid=1&modid=2&deptid=115&catid=66&prodid=200

 

It doesn't look like I will be able to make it there this year, but the last one I was at was really nice.

I've also been sent a CfP per email, with the request to forward it - so if you are interesting in the following, email me and I will forward it to you:

Breda's Museum in the Netherlands is organizing an international conference on Costume and Textile Preservation in Museum, Theatre and Fashion. This is part of a meeting of the Costume Design Group (CDG) of OISTAT <www.oistat.org>. In the first place this is a call for papers for the international conference in Breda, but interested attendants may want to choose for the complete CDG activities or just for the conference in Breda.

The preliminary programme includes a lot of visits to workshops and exhibitions, so it sounds really fascinating. Now if only I were a conservator....

It's a little later than what I usually blog about, but it more than makes up for it in splendour: There is an exhibition, very recently started, on the textiles of August der Starke (the strong), 1670-1733. The textiles stem from the polish coronation ceremony in 1697 and a wedding 1719 in Dresden, and they are exhibited together with thread-by-thread reconstructions in Dresden. This means it's possible to see and compare how the textiles look now and how they most probably looked when they were brand new and used for representation. The information about the exhibition says something about gold and silver cloth, velvets, gold embroidery and bright beautiful deep colours - all the best that textile manufacture is able to give.

The exhibition has just started on the 13th of November and will run until February 24, 2014. You can learn more about it on this English info page about the exhibition...

I think I shall go see Dresden, soon-ish.

There I am, sitting back at my desk, the cat sleeping peacefully in her bed beside the desk, reams of papers spread over it (as usual), and a long to-do list waiting to be reduced to a more manageable size.

But I also have the Contraption with a silk warp on it (the Forum saw me finish the woolen band that was on it before). My lovely colleage, after years of softly prodding me, finally got me to dye something by myself, so now I have "smurf hair" - indigo-dyed wool that sort of happened to fall into the dye vat after our experiment was done. (How could that have happened? However would a bunch of textile people, confronted with a still healthy indigo vat, ever think of randomly tossing fibery things into the vat? I cannot imagine.)
There's also some blue-dyed linen thread (and I'm planning to look into that a little more, in the future). And a cuddly toy bat* (which is in want of a little scarf, I think - possibly a blue one). There's the distaff with hemp and the in-hand spindle that I finally found some time to work during the Forum. There's a rather crazy fingerlooped braid with a cross-shaped cross-section.

There's some more books, too - my own book is back in stock at my store, and the Forum proceedings book is also available now.

For today, though, I will try to resist the call of the smurf hair (spin me! spin me!) and instead get busy with more writing work. Because that's on top of my list... for now.


* The area around the lab is one of, if not the one, biggest living quarters for bats in Europe. Several thousands of bats live there, and when night falls, you can do bat-watching. Somehow, the bat became the inofficial mascot of this year's Forum... which, accordingly, led to a bat-buying binge.

I have returned back home - back to bad weather (today it's raining hard), back to my comfy desk, and (of course) a large stack of stuff to deal with, such as the accumulation of mail both electronic and physical.
The next days will thus be dedicated to getting back up to date (and speed). You, however, will probably want to know how the Forum went... and I can tell you: it was fantastic.

There was a really nice bandwidth of papers, and our new format of paper and corresponding practical unit has met with much approval and made our Forum the most productive one that we had yet. We will definitely stay with this format!
We had a go at loopbraiding, reconstructing late antique underwear, and there was some weaving being done; our resist dyeing experiment took place (with results that are partly making me happy and partly making me wish we'd had some more time beforehand for testing things), and embroidered tunics from late antiquity were looked at and the technique reconstructed. The lab made it possible for us, in addition to the planned practical units, to have an impromptu experiment take place, researching the different outcomes of pressing fabrics into clay pots.

The forum was one full week stacked to the brim with ideas, tries, techniques and textiles. It made me very, very tired but also extremely happy - and even though the papertrail of this year's event has not been cleared yet, I am already looking forward to the next one!

Yes, again. This time it's not due to me having gone off to have fun somewhere else and having no time to blog, it's because - oh.

This time it's due to me having gone off to have fun at the Textile Forum. Though it's working fun, this time, and I will have no time to blog because of that. If you want to come and make sure that I will be both working and having fun doing it (the best kind of work), you can stop by and join us for a day - we have day passes. The conference day will start with a paper presentation at 10 in the morning, and day passes are 15 € each.

After the Forum, there will be a few days to finish off our experiment documentation and plan ahead for the times to come, and then I'll be at the Wissenschaftsmarkt in Mainz. You will find me in the tent "Umwelt und Info" together with some colleagues, showing the possible imitation methods for byzantine textiles. The Wissenschaftsmarkt is on the weekend September 14/15, so if you are in the region, make sure to stop by - it's said to be a big thing!

So your regular scheduled blogging will return on September 18, which leaves me a bit of time to recover. Have a good time until then!

I have a hard time believing how time flies by - it seems just like yesterday that we left for our paddling holiday, and now it's weeks later and the Forum is almost upon us.

Time to take care of the last bits and pieces, which include the last bits of fine-tuning for the experiment that we have planned for this year. It's about Late Antique resist-dyed textiles... and among the things left to do is making a template for the application of the resist pastes we are planning to use. The materials, though, have not all arrived yet, a package seems to have gone astray. Which again proves Rule #1 for Experimental Archaeology: Things always take longer than you expect.*

That, and going through the whole thing together with Sabine who will take care of the actual dyeing process. We will dye using indigo - I'm really looking forward to that, I always love when fabric suddenly becomes blue!


* Rule #2, by the way, is Something that you need is always missing. Maybe I should do a whole post about the Rules...