I woke up today to a wintry-looking world again - it has snowed more than 12 cm by now, snow is still falling, and everything is covered in a soft, fluffy layer of white. The cat has ventured out anyway, and she will probably be quite wet when she comes back. But that's not what you are here for, right? You are here for... juicy links. Here you go.

Coming up in the V&A in March is a new exhibition called "Treasures of the Royal Courts", showing among other things treasures from the court of Henry VIII.

And in case you prefer reading about stuff right now instead of looking at it some time in March: I have recently re-discovered a link to the Electronic Theses Online Service the British Library offers. You can search the EThOS database for authors, keywords, the usual; and quite a few of the theses are downloadable for free.

Finally a little bit of curiosity: have any of you experience with spinning on a spindle held (and turned) in the hand? If so, what do you like about that technique - are there advantages to turning in hand compared to a suspended spindle?

It has snowed again - a deep, white, totally beautiful cover on everything. It looks really nice and soft and fluffy and almost cuddly from inside here.
The cat, it seems, has finally come to the conclusion that she will really be allowed back inside even when there's snow on the ground, and has gone off for her morning round in the usual length of an hour or more.

She was abandoned sometime during last winter, and found last year in February, and would not go out into the snow at all at first, and then not  for more than a few minutes at a time - so we speculate that she had bad memories connected with the snow. Accordingly, we took extra care to both encourage her to go out and let her back in again as soon as she wanted to come inside. Which sort of still holds on, so now I'm getting up and checking for cat ears in front of the door rather frequently.

In non-weather-related news: there is progress on the writing front, for both projects. Not much of that is due to yesterday, though, because I had a rather nasty headache and did not get much done in consequence.

I have also done some more spinning on the Great Wheel. This has led to me coming more and more to appreciate how absolutely and enormously crucial the quality of the fibre and the quality of the fibre preparation is for flawless spinning on the wheel, at least if you are not really proficient at it. The search for the perfect-rolag-making technique is still going on here, but I feel like I have gotten much closer.

Since I started spinning with the Great Wheel, I have read about carding techniques and looked at carding instructions and people carding quite a bit, but the up to now best set of instructions is "Handcarding with a Light Touch" by Carol Huebscher Rhoades. It's available as part of an e-book offered by spinningdaily.com; the .pdf can be downloaded for free after you register with the site. (I did, and I do not regret it due to this article. They have a few other free instructional e-books as well. There is also a (not-quite-but-almost-daily) newsletter that they send out with info about new free e-books, though it also includes (and is mostly) advertisement for courses, dvds, books and other things they would like you to buy.)

I'm still struggling with data floods - I have solved a few small problems only to find more (of course there are more). Some of them, I guess, are the usual things - details so small that they are not listed in the normal tutorials because, duh, everyone knows that is how you do it. I know I have been guilty of the same thought in some instances, but alas, I also know the other side much, much too well.

And somehow, I can understand why there is so few statistics in archaeology or historical sciences in general, even where something like a statistical analysis would be good. The learning curve, oh, it is steep. (Or I am a little stupid - but since others agree with me, I'll go with the former assumption.)

As of now, the analysis and visualisation I've been able to do has not yielded any new and really evident things (apart from the usual - that spinners are individuals and quite, quite unpredictable).

Ah, what I would give for a few minions. One to do the boring scanning work that is now left to do. One to work out which programme best to use for the visualisation and give me an intro to it. One to finish entering books into my book database. One to make me coffee.

Okay - I can live without the last one. But the others! That would be so good!

I am wrestling with Excel, and it is winning. I have not yet made it to the breakthrough in R (I think I need someone to teach me R for dummies, as I am somehow shattering on the most basic things, like importing an Excel workbook with several sheets and saving that as a dataframe) but I need some quick results. Not much, mind you; not the full analysis... but at least something. Something! And I would know how to get it! But... I have made the mistake of saving the formulas in one workbook, and now I need them in another one. And due to the perverseness of my system, and that of Excel, and that of the worksheets... I get an out-of-memory error every time. No, the workarounds all do not work. Yes, I have tried them all (at least all that I could find). Arrr...


And since two people posed the same question yesterday: From what I remember of Swedish coffee (real Swedish coffee drunk in Sweden, from a cafe or a selling point for caffeinated hot drinks) they are large, they are strong (but not overly so) and they are delicious to my taste - with neither too much acidity nor too much bitterness. Not like the thing we termed "Swedish coffee" at the Forum - though of course there are different strength and quality coffee experiences to be found in any country.
German plain coffee roasts often have a tendency to be quite acidic, and the sourness is something I neither like nor can stomach well, so I am fond of the "milder" kinds of beans here, and I generally prefer the fancy coffees with lots of milk (latte macchiato, anyone?). And the coffee I tasted in the Czech Republic was not really acidic, but always quite, quite strong, plus the beans and/or roast and extraction must have been different, since it was very bitter (at least to my taste).
Your coffee-when-traveling observations are very welcome in the comments - I'd be interested to hear what experiences you have had!

If you are interested in Vikings and Viking Archaeology, you probably know that there is L'Anse aux Meadows, a Norse or Viking settlement in Canada. This was the first, and up to now only, known proof for the arrival of the Norse in Vinland (that's how they seem to have called the fabled continent way, way over the sea).

Now I have stumbled over an article published in National Geographic, and there is a second settlement where finds very, very strongly indicate that it was not made by indigenous population. The finds are from Baffin Island, in Canada, far above the Arctic Circle and north of Hudson Bay. Archaeologist Patricia Sutherland looked at the finds, made in the 1980s by a missionary, in the archive of a museum in Quebec in 1999 - and found out that the yarn which was part of the finds is a match for thread finds from the Norse colony in Greenland. Since the indigenous people of Baffin Island did not spin, this is the first very strong hint it was a Norse colony.

Recent excavation in the place seem to corroborate this - they found whetstones. But isn't it nice that the yarn finds opened up the way?

On the website of Uni Innsbruck, there is a nice little spindle typology. It's bilingual, and it includes sub-sites with pictures and descriptions of spindles from about all around the world, plus some additional picture galleries.

If you enjoy looking at spindles, that site is really worth a visit!

I've mentioned the new Lab for Experimental Archaeology quite a bit on this blog already, mostly in context with the Textile Forum, and I hope to have reasons to mention it in the future at least as often. It's a wonderful concept that fits in perfectly with the Textile Forum and with a lot of the work regarding spinning and textile techniques that I have been doing, merging crafts knowledge and practical craft with scientific methods and archaeological research.

The LEA consists of two big workshop rooms, one of them fitted with installation for blacksmith work. It will have a special kiln for firing ceramics, there's a laboratory extractor hood for stuff you don't want to breathe, a smallish but comfy kitchen to eat, drink, and merrily conspire or read papers, a work/lab room that fits three desks and several cabinets with lab equipment and glassware, the office for the two people running the whole thing, a separate hall for papers, seminars or other things needing a large indoor space, and very generous space outdoors, partly graveled and covered, partly open. All rooms (well, except for the office, obviously) are multi-purpose, with lots of moveable furniture and moveable equipment to be able to make space where it is needed. And those working or researching a project can be housed directly at the lab: There are two bedrooms, each sleeping up to five persons, with lockers for valuables, and the necessary sanitary installations. Altogether, the place feels very welcoming too.

I've already posted that the opening was a big success, as was the experiment we did, which we hope to present at a conference as soon as possible. Meanwhile, you can have your own look at the premises of LEA (at least some of them) and at the things that happened at the opening weekend. A local TV station sent a team to film the opening, and here it is:



Both linked things (the LEA page and the film) are in German, but you can just look at the pictures... and you will see me spinning in the film as well!