They have accumulated again, those pesky links. Or are they pesky? You might want to decide for yourself. Here they are:

Cathy posts a review of Marianne Vedeler's book "Silk for the Vikings".

Jonathan Jarrett has put together a resources page you'll definitely want to check out.

There's a German article about silk relics (tunic pieces) from the fourth century.

King Richard III has undergone multi-element isotope analysis, and seems to have liked his booze, judging from that.

That's it for today - now I'll go back to my presentation writing.

It's been some time since I posted the last bleg, I think - and things have lined up in a way that, well, blegging you for information seems the thing to do.

As you probably know, I am not a weaver. I do know a few weavers, but not enough for a proper survey... and that is just what I would like to get.

The survey is connected to yarns (I'm working on a spinning paper, after all) and hopefully, it will let me either toss my subjective impression on what is used for weaving, or will corroborate it. Either way, it will be very helpful for me to see what is used.

So, here it is. The Survey. If you are a weaver, I would very, very much appreciate your help - please fill it out, and pass it on to your weaver friends. If you are no weaver, but have weaver friends, I would also very much appreciate your help - please pass it on to your weaver friends and ask them to fill it out and pass it on to their friends. Or copy the rest of this post, from "Handweaver Survey" on down, and post it on your blog, weaver's newsletter, or similar communication gateway. The more input I get, the better - if I can get more than 20 answers, it starts to get seriously useful for research purposes.

Thank you so much.


Handweaver Survey

Background Questions:

What kind of loom or weaving frame do you use?

How much, approximately, do you weave per year?

Have you woven custom work for others?

Have you woven for a museum display, living history purposes, or similar?

Weaving Questions:


How important is choosing the yarn type (grist, fibre types, hard or soft spun, single or plied, spinning direction) for you when you design or plan a weaving project?

What yarns do you usually choose for weaving - plied or single yarns?

Please measure the twist angle/ply angle of your most commonly used yarn (you can find an explanation of twist angle here, together with an instruction on how to measure it); with the measurement, make sure to state whether it's the singles twist or a ply angle:

Are you interested in historical (pre-industrial) fabrics?

Have you ever tried to re-create such a fabric?

Have you woven with high-twist singles in warp, weft, or both?

If yes:
Did they have a spinning angle of 30° or more?

Was it difficult to source these yarns?

How was it different from weaving with lower twist singles or plied yarns?

Can you share any tips or warn of any special difficulties?

Once you have answered these questions, you can get them to me either by email to Diese E-Mail-Adresse ist vor Spambots geschützt! Zur Anzeige muss JavaScript eingeschaltet sein., or post the answers to the survey on your blog and post the link to your blogpost in the comments here: http://togs-from-bogs.blogspot.de/2014/09/a-bleg-to-handweavers.html.

Again, thank you for helping me by filling out this survey! If I can get enough answers, I'll write up a proper report and post it on this blog.

Some mornings, even having "Blog" on my to-do list doesn't really help to get you a timely morning blog. I sit down at the computer and then I fall into a hole, doing something and being utterly gobbled up by that.

This morning, for example, I started out checking emails (as usual), writing a few short ones, and then the phone rang. Then I did my Czech lesson. And then had a bit of chat on Trillian for the current book project, and then I thought I'll just do one pomodoro's worth of work on the book right now so that I can send a file over to Australia. Which utterly enthralled me and now I'm in the second hour of work on it, and when taking a short break I suddenly realised that a) the bit of breakfast I had much earlier in the morning was not very much, and b) the blog post is yet unwritten.

So... there's the blog post. Of me telling you why it's late. And because that's not much to blog about, here are some things related to why it's late:

Pomodoro. After a long hiatus in this, I have re-activated the use of pomodoros as productivity aid yesterday. At the moment, it's mostly to make me stick with one subject for at least 25 minutes. It's nice to use this technique again, and it does help - I have gotten quite a bit of work done yesterday and today already.

Czech lesson. I've been at this for two weeks now, and I have the feeling I'm making good progress. Since I'm still quite happy with the programme, I will pass a link on to you. It's from Strokes International; they offer 24 languages (well, 22 if you want the course based in English, and counting English as second language), and you can test the first three lessons for free. They have some of the harder-to-get languages, such as Czech, Polish, Romanian, and you could even learn Japanese.
The programme has the usual problems of a computer language programme with speech recognition - sometimes you need to repeat a word a trillion times, sometimes you don't really know why it won't accept your pronounciation, and there is nobody telling you whether you are really off or whether it's a fluke in the speech recog. Still, it makes you speak a lot. It also makes you write a lot, in a not too nasty way. There are plenty of repetitions, plenty of pictures to help in learning, and a lot of "game-like" exercises such as a memory with the written term on one card, the picture on the other, and you get the spoken word for both as you flip them.
While there are a few small things that irk me (such as having to adjust the window size to my preference every time, and the programme not remembering that I want the keyboard picture at all times), I do enjoy the lessons and have the impression that yes, I am learning stuff, and not just in short-term memory - and that is the most important bit, after all. (I can memorise things quickly and easily for short term, which is nice, but not too helpful when it isn't settled into long-term brain storage, too.) For now, I can recommend it - and I hope it will stay that way!

Well, yes, I know it isn't. Yet. Would be nice, though!

My parents dropped by yesterday evening, having been in the area, and we had an impromptu cooking session together with two friends, serving them a nice three-course meal. That was a lot of fun, but also a bit exhausting - and now I'd much prefer today to be Saturday, or at least Friday.

So while I am trying to bring my brain into gear, you are getting links (again). One of them is a book review on "Experimental Archaeology" by John Coles. Another friend and colleague recommended that book to me, saying it would be a very good read. The book is from 1979, so it's not the newest work about ExpArch, but seems to be worth a look.

Speaking of books, Doug is posting about Archaeology and publishing, another series of posts, starting with #1: Formatting. If you, like so many others, use Word for your work and wish to do layouting, I recommend taking a look at editorium.com - when I was layouting and tweaking my PhD thesis for handing it in, their information did help me a huge lot. And while it's not easy-peasy, my impression is that Word will do everything you want it to - if you know how to kick its (micro-)soft little backside hard enough and in the right way. (Mind you, it might mean having to record and edit, or write, a macro or two. Expands the horizon. Never a bad thing.)

After all these linky posts, it's time to do a "what is happening here" post again.

Yesterday, I finished the current state of a project - sewing basic garments for a new open-air museum, the Freilichtlabor Lauresham - and sent the things on their merry way to their new home. The project is not completely finished yet, but the next part will have to wait until the cloth for tunic and hose have been woven and dyed, which will take at least a few more weeks. I'd have loved for them to have all the clothes in time for the opening on this Sunday, but unfortunately, we were not able to get the cloth issue sorted out in time for that. (This proves again: textile stuff just gobbles up time.)

With this off my back and off my agenda, it is time to turn to the next exciting bits on the to-do list. So today, I'll do my level best to get some more work done on the Textile Forum. Check our website at www.textileforum.org tonight or tomorrow for the preliminary programme. And if you want to join, you can still register for the conference!

Another conference I have to prepare for is Crafting Textiles from the Bronze Age to AD 1600, taking place on October 10 and 11 in London. (This year is the year of travelling to England for me!) I will be giving a presentation about spinning as a historical craft, and I'm looking forward to that conference very, very much already. The programme is full of interesting papers!

Today's the last day of the Free Shipping offer on the Dread Pirate Roberts knitting pattern. If you were planning to get one, today is the day to do it!

Just in case you are looking for even more blogs to read, I will send you (again! that guy is on a roll) over to Doug's blog. He's doing an archaeology blog round-up, which lists not only the blog title, but also gives a link to each post of the last week. That's a brilliant idea, since you can get a first glimpse of how active a given blog is, and sometimes see what direction the posts take, guesstimating from the post titles. There are definitely a few blogs among those listed that will find their way into my feed reader. I'm also very happy that my own blog was featured in the very first post of that new series!

If you are interested in Near East (archaeology) stuff, you might find this interesting: The Netherlands Institute for the Near East is offering their out-of-print publications for free download. This is always a glorious thing and I'm utterly happy about each museum or publisher who does this! (I was particularly delighted about York and the MET.)

Also online: The Robin Hood project from the University of Rochester (Nottingham would have been funnier, though). It's a database of texts, images, bibliography and information about Robin Hood and other outlaw stories.

And finally: LARP is entering the archaeological record. (LARP stands for Live Action Role Playing - which means you dress up in an appropriate way and head out to play a part in a non-scripted or sparsely scripted adventure story with other people.) (Did anyone reading this actually need the explanation, I wonder?)

Yesterday I received an e-mail telling me about a free e-book from one of my lovely colleagues... and that did make my day.