For the exhibition next month in Bad Staffelstein, we have planned to install a TV somewhere in the rooms and show some video snippets of textile techniques there - because if you've never seen a handspindle before, you can probably not imagine how it looks being used and how it works. So today is the day that we will make the video for the snippets - thank goodness for friends who are always helpful!

I'm planning to do spinning, netting, tablet weaving (showing some twill sequences) and a bit of fingerloop braiding. I hope we can get all this done, and I have to get buzzing now to prepare everything so it won't take too long to change technique.

And I still have to decide whether to wear modern or medieval clothing...

Today's blog comes a little later than usual - not because I forgot to blog, but because I had to take care of some other things first after the long weekend.

I'm currently working on the translation of my thesis summary, so that the German book has at least an English summary. There's still a bit to go, and after translating, I'll need some proofreading, but it is progressing nicely. Apart from that, there's not much exciting stuff happening at the moment, at least not in the work part of my life - things running more or less smoothly, if a bit slowly sometimes...

It's busy time here in my study: the taxes can finally be finished off (I needed one last receipt for that), there's things to be done for the thesis printing, last-preparations-wise - like the cover - and a gazillion of emails to write. At least my brain has jumped into idea mode for the cover design, so I can try out a few basic concepts and see how they might work.

Which is why I'm off to my graphics programme now.

I am inundated in chopsticks, and that is a Good Thing - because these cheap, all-alike, slim and slightly conical things will serve as the spindle sticks for the Spinning Experiment.

I have thought long and hard about what I could take for the experiment. One of the first ideas was to have twenty spindles and four different whorls each, and rotate the whorls during the spinning process. But then there is another variation in the process, one we can't measure or calculate: The order of spinning with different spindles in the test. What if it makes a difference whether someone starts the experiment spinning with spindle A and then B as opposed to spinning with spindle C and then A? And so on? So I arrived at the conclusion that the safest bet would be to give everybody the same spindle at the same time.

Which means making one hundred twenty spindle whorls (plus a few to spare in case of unforeseen desasters). And ideally, attaching all those whorls to a spindle stick so that they can't slip when you drop the spindle (something I do fairly often with an unknown, new and maybe awkwardly running spindle). Which means - as one possible solution - to glue a stick to each whorl. Which in turn means making one hundred twenty spindles glued together... with identical whorls and identical spindle sticks. There. Since our budget is not so big (read: nonexistent), cheap was not an option but a requirement. And slim, identical, slightly conical-at-the-top, round sticks for little money? You got it. Chopsticks.

That is why I am sitting here with a box, newly arrived, containing one hundred pairs of Taiwanese bamboo chopsticks. Next time, when we have won the lottery got a budget for a similar experiment, we might use proper sticks for another spinning experiment. For now, bamboo will do.

So no proper blog post today.

Go to this time-sink this wonderful page with ressources instead:

On-Line Digital Archive of Documents on Weaving and Related Topics

and have fun!

The time has come to think about the cover of the book, and I'm not all sure what direction to choose. It should have something to do with tailoring, preferably - so do I try to find a medieval picture of a tailor's workshop? Or do I use a photograph of modern replicas for tailoring - pins, needles, shears, fabric, spools of thread? As a still-life or in action, with more or less of somebody working visible? Or a collage, mixing a medieval picture with the photograph?

Any suggestions, gentle readers? What would you expect or prefer on a book whose title says something on the lines of "Construction and sewing technique of secular medieval garments"?

And this week has definitely seen good progress textiles-wise - yesterday evening was spent working on the new blue hairnet. I'm adding in two rows with double-length mesh and putting those to good use by beading them. Which means every second mesh gets a bead pulled over it before I go on netting. Which is, how shall I put it... a tiny bit tedious. More whining and pictures due to follow in the course of the next few days.

I've also ended (won, I'd say) my struggle against the article. Now I hope that the outcome is ok - that's the downside of writing about something for the umpteenth time. Even if the topic of the article is just a spin-off of The Topic, there's enough crossover left. And after some time, it really is hard to keep what you're writing in perspective; the fact that you have already explained it in depth and on paper somewhere else, after all, does not mean that the readers of Shiny New Article all have read and memorised it. So I hope that I managed to put all the important bits in. I'll be so happy once The Topic is finally off in print, and therefore, finished for a while... not that I don't love thinking and talking and experimenting about garments, but after more than four years of intensive work on that, I feel like wanting a break to concentrate on something else for a while.