Unfortunately, printing in colour is really, really expensive, so for the thesis publication, my editor and I agreed on a reasonable number of colour plates. Which means that there are quite a few colour illustrations that have to be converted to grayscale, since I just kept all colour pics for the submission copies. So most of yesterday was spent converting colour figures and pictures from my thesis to monochrome pics while making sure that the important details stay discernable.

Picture editing work is half exciting and half mind-numbing. The same processes and checking files for the same things over and over again makes it mind-numbing - but tweaking contrast, brightness and gamma curves for best results has to be done for each pic individually, so it's nothing for a batch job. Sometimes the details come out even better in the monochrome version - that is when it gets really exciting - while sometimes it's a battle you can hardly win. Because I knew that not all would transfer nicely to monochrome, I checked first - there should be enough colour plate for all the really difficult pics in addition to the pictures that I want printed in colour for other reasons (like, usually, exciting colours on real garments).

So... I made good progress with the conversions, though there are still quite a few left to do. Good thing my thesis has only four hundred and eight pics!

The heap of work lying before me (and the list listing even more things to do) has not only stayed the same, but grown yesterday. Actually grown... and since quite a few of these tasks are things that take a bit longer than five to ten minutes... I can't complain of boredom. Add to that the fact that on a first day back at work after vacation I never seem to accomplish much, I'm feeling a bit inundated.

At least I managed to fetch the next test whorls for the spinning experiment, nicely fired, and I already did a short test run. I won't tell how it went in detail, but the reference whorl (about same weight and same moment of inertia as an archaeological object) spun very nicely. I also made some progress on the translation part, did a little bit of proofreading of an article, and wrote the obligatory few e-mails. And now for more of the same agenda.

Today's blog comes a little later than usual - not because I forgot to blog, but because I had to take care of some other things first after the long weekend.

I'm currently working on the translation of my thesis summary, so that the German book has at least an English summary. There's still a bit to go, and after translating, I'll need some proofreading, but it is progressing nicely. Apart from that, there's not much exciting stuff happening at the moment, at least not in the work part of my life - things running more or less smoothly, if a bit slowly sometimes...

It's busy time here in my study: the taxes can finally be finished off (I needed one last receipt for that), there's things to be done for the thesis printing, last-preparations-wise - like the cover - and a gazillion of emails to write. At least my brain has jumped into idea mode for the cover design, so I can try out a few basic concepts and see how they might work.

Which is why I'm off to my graphics programme now.

The time has come to think about the cover of the book, and I'm not all sure what direction to choose. It should have something to do with tailoring, preferably - so do I try to find a medieval picture of a tailor's workshop? Or do I use a photograph of modern replicas for tailoring - pins, needles, shears, fabric, spools of thread? As a still-life or in action, with more or less of somebody working visible? Or a collage, mixing a medieval picture with the photograph?

Any suggestions, gentle readers? What would you expect or prefer on a book whose title says something on the lines of "Construction and sewing technique of secular medieval garments"?

And this week has definitely seen good progress textiles-wise - yesterday evening was spent working on the new blue hairnet. I'm adding in two rows with double-length mesh and putting those to good use by beading them. Which means every second mesh gets a bead pulled over it before I go on netting. Which is, how shall I put it... a tiny bit tedious. More whining and pictures due to follow in the course of the next few days.

I've also ended (won, I'd say) my struggle against the article. Now I hope that the outcome is ok - that's the downside of writing about something for the umpteenth time. Even if the topic of the article is just a spin-off of The Topic, there's enough crossover left. And after some time, it really is hard to keep what you're writing in perspective; the fact that you have already explained it in depth and on paper somewhere else, after all, does not mean that the readers of Shiny New Article all have read and memorised it. So I hope that I managed to put all the important bits in. I'll be so happy once The Topic is finally off in print, and therefore, finished for a while... not that I don't love thinking and talking and experimenting about garments, but after more than four years of intensive work on that, I feel like wanting a break to concentrate on something else for a while.

I've almost won my struggle with the unwieldy article - just the pictures left to insert, a once-over on the text and bibliography, and then it's finished. Whew!

In other progress news, I did a bit more on the play-band yesterday evening, so the warp is almost used up now. Besides playing around with turning sequences and finally trying a few pattern variations I've wanted to try for ages, I have arrived at the conclusion that for weaving freestyle knotwork patterns, the "less is more" approach won't work properly.

I set up this play-band with twelve tablets only, because that is a number that will already allow to see some interesting patterning, can be divided into two small, easy to handle packs of six tablets when doing a split of direction in the middle, and is fast to work even in twill - since there aren't many tablets to shift from one pack to the other. Because the band is intended as a teaching tool/workshop helper, those were things I thought important (and I'm still sure it is a very good width and setup for learning how to do twill).

To give me a greater variation of things to try out on the band, I looked for pattern inspiration on other bands (both my own, older play-band sequences and pictures of bands on the internet). There were some simple knot-style patterns that I drafted for trying on my band, and to my delight I found that an astounding lot of patterns will just be possible to do with such a slim band.

However, when weaving those tiny patterns with knotwork elements, I found that while twelve tablets will technically work, it is utterly complicated... because there is so little time. I'd finish one of the red pattern lines, running from the outside to the middle of the band and going back into twill to have only that pattern line visible on the band. But the band is so slim that I can't get into a proper twill pattern there, because already a complete reversion of weave direction is needed, or I have to start out on the next pattern bit. And the other tablets also need attention because of go-into-twill, come-out-of-twill or some patterning in their sequence. That is just too much on too short notice and too little room - and I imagine that on a wider band with more tablets, there is much more time to let this section twill on quietly while you care for the pattern bit in the other section. Also, the sets of tablets going mainly this or that direction were too small. Try working a twill structure with 12 tablets divided into four sets - that is three tablets only per set; much too few to see the structure or get into the rhythm of the thing. And rhythm and structure both are very important to me when weaving, since I hate nothing more than following a pattern draft line by line and counting off tablets (first forward, second backwards, third and fourth forwards, yuck!)

Well, since the play-band is almost finished, and since I have some nice silk lying around for a wider band, and since I wanted to weave a slim belt for some fittings I still have around... I think I'll make the warp for the new band a tad longer and play for a bit, just to see if freestyle knotwork is better possible on a band with 40 tablets.