Latest Comments

Guest - Aislinn Dyestuff Citizen Science.
09. Oktober 2026
This is a great project. I look forward to the results. Thanks for letting us know.
Guest - Aislinn Time for...
09. Oktober 2026
Looks delicious!
Guest - Katrin Sprang Discussion
18. September 2026
Hi Rachel, I have looked for more photos of you, but that was not very successful. I found a link on...
Guest - Beatrix Sprang Discussion
15. September 2026
That lozenge pattern element is not a photograph, but a scan. So it should be to scale. But I pinned...
Guest - Katrin Sprang Discussion
15. September 2026
I was not referring to Rachel's reconstruction (is the reconstruction you refer to the one photograp...
JAN.
28
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Documentation is key.

If you've heard one of my presentations about Experimental Archaeology, the chances are high that you have also heard me talk about what defines an archaeological experiment. ExpArch has become a buzzword in recent years, and the term has often been applied to things that are not real experimental archaeology - because it seems to sell well, or excite people, or those doing the description don't know better, or for whatever other reason(s).

Experiments in general are very clearly defined: They are a process that is designed specifically to answer a question. The experiment design has a very great influence on how much of an answer you get, and on how general the answer can be - if you are doing a chemical experiment with, say, helium, you cannot tell things about what would happen with oxygen, or hydrogen in place of the helium.

Experiments, to be called such, also have to be documented clearly, accurately and objectively enough to allow the experiment to be repeated - and the outcome, if things are done correctly in each instance of the experiment, should be the same or at least very similar. This means anybody can, theoretically, replicate a given published experiment to test the reliability of the experiment itself and the answers it gave.

Which means that a proper archaeological experiment needs to be objective, it has to be repeatable, has to be designed to answer a specific question, and the design of the actual process has to be suitable for this  answer - you cannot say something about oak working if you used beech, and you cannot say something about the suitability of old tools if you use modern ones. It also has to be documented accordingly. Everything else is not archaeological experiments - it can be tests of tools and techniques, or archaeotechnic, or playing around, or making replicas, but it's not an experiment.

Now, very obviously, as soon as you go into archaeology, things get a little messier than in a nice, clean chemistry lab or physics facility, where you have controlled environments, controlled substances, and measurable outcomes.

The materials for archaeological experiments are very often natural stuff - and there can be a huge difference between wood and wood, even if it's the same tree species. Plus there's the human factor - craft skills are an important factor, and they are hard to quantify. Many things are also subjective, such as the preference of one style of working over another, or one tool variant over another. Which means that "objective" will, in various instances, turn into "as objective as possible" and "repeatable" into "as repeatable as possible" - since you cannot use the same tree twice. (In some cases, modern stand-in materials can be used to get better repeatability. I've learned about experiments about flint-knapping, for instance, that use specifically made ceramic cores for knapping: similar characteristics for the breaking, and uniform without flaws.)

One of the key things to still get workable results is... documentation. There's no such thing as too much documentation! This is especially important when human factors come into play. It's also important to keep in mind that these human influences may be very significant, and to document (and describe, and publish) accordingly. Even if it's not a proper, full-fledged archaeological experiment, but someone or a group trying out techniques, good documentation of the tests can make a world of a difference when you are trying to make sense of things - or just trying to get an inkling about a single person's skill development.

A very good example of documentation for this can be found on Agata Ulanowska's site. She's lecturing in Warsaw and has been giving courses about old textile techniques for several years, teaching students how to do things like tablet-weaving. For those courses, she's giving out documentation sheets, making it possible to track the progress of each student as well as getting an overview about times for designing, weaving, and finishing projects. The sheets are downloadable from her page (scroll down to find them) - maybe they will be helpful for you as well!

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JAN.
27
2

Sometimes it's good if you read German.

For these links, for instance - all interesting, all German-only (sorry!), but at least the first one has pictures you might enjoy if you don't understand the text.

The salt mines at Hallstatt have a brand-new webpage: http://www.nhm-wien.ac.at/hallstatt. It's not really picture-heavy, but there is a small slideshow with some impressions right at the frontpage, including a close-up of one of the textiles.

Rainer Schreg has posted the last installation of his blogpost series about "Archäologische Quellenkritik" (source criticism in archaeology), with a very interesting example about how sources might mislead us using chesspiece finds. 

Third and last link topic: Modern science made it possible to read charred papyrus rolls from Pompeii - without unrolling them. Yay for X-rays! Here is the German-language article from Spiegel. The original publication about this project is in English, titled "Revealing letters in rolled Herculaneum papyri by X-ray phase-contrast imaging" (paywall, abstract is free).
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JAN.
26
2

Updates! And blegging!

A while ago, I posted about an upcoming exhibition of early modern dresses in Nuremburg. I've since received an update about this - it will start in December 2015. You can read more about the exhibition here.

Also, it's time for me to bleg again...

Together with a colleague, Gillian, whom I met in Leeds, I've been working on a book about medieval England these past years. The book is going to give an overview about England from c 1050 to 1315. We have tried hard to write a book that gives enough detail for those readers who would like to use medieval England as a basis for their own projects - such as a medieval-based fantasy world, or writing a historical novel, or getting started with Living History.

We're now actually in the last stage - copyediting, getting the last few stray bits and pieces in line, and... illustrating it. We have the opportunity of putting pictures into the book, even colour pictures, which is just wonderful. The only drawback? Our deadline is approaching, fast. And we need to get the illustration done double-quick...

A while ago, I've already gotten a few gorgeous pictures for the book, but there are still quite a few topics that are not covered. We would love to have pictures that show actual live persons using good-quality replicas of stuff from England (or non-regional things), from the time-span 11th to very early 14th century. Daily life scenarios, craftspeople doing their work, children playing, any combination of things that actually existed and were used and people using them would be helpful, whether secular, religious, or military. Good pictures of just tools and maybe half-finished products would be very welcome as well.

So... if you have a photo, or several photos, that fit the bill and you would be happy with them being published, please send it to me at Diese E-Mail-Adresse ist vor Spambots geschützt! Zur Anzeige muss JavaScript eingeschaltet sein.. And we will be ever so grateful for your help!
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JAN.
23
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Thank goodness it's Friday.

It's really about time for the weekend to arrive! Which is really obvious by the fact that this morning, and this noon, completely got away from me (by being filled with stuff that had to be done) and I almost forgot I hadn't blogged yet.

To top things off (or to top them under?) I don't even have a nice amusing link for you. I can tell you, however, that my yoga mat still has a slightly rubbery smell (especially when freshly cleaned and hanging to dry in the bathroom), that the cat insist on sleeping on the Most Patient Husband's desk chair (which is no problem during the day, but leads to mild conflict when he's home in the evening and actually dares to sit there) and that having ample tea standing beside me is helping immensely with everything. Hot motivational beverages for the win!
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JAN.
22
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The European Union... explained.

Have you ever wondered about that thing called the European Union? Here's a nice video that explains it all.*

* More or less.



Speaking of the EU, there's news about the VAT stuff. Here's a roundup on how the start of the new rules went - not pretty. However, there's still some hope: There will be a meeting of the EU VAT Action group with Donato Raponi (yay!), and they are assembling case studies for this, so if you are affected by the rules, that's your chance to get heard. There's also an Action Challenge currently running - go here to get challenged.


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JAN.
21
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Nice stuff to look at.

Here's a stack of links with nice things that you might enjoy!

The medieval manuscripts blog tells you how to survive the winter, medieval-style.

Medieval Books shows analog apps from medieval manuscripts.

...and Neil Gaiman reads "Green Eggs and Ham":




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JAN.
20
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Where you can help, part two.

After the more depressing please-help thingies I posted yesterday, here is a different one where you can help. I've stumbled across this through the chat on HabitRPG (I posted about this before, here) and it's an absolutely fascinating project - though if you want to join in, it will take a few hours of your time.

Voices, like fingerprints, are something deeply personal. For a lot of speech-impaired people, though, there are communication machines with only very few standard voices to choose from. VocaliD is a project that aims to remedy this, by blending the sound characteristics extracted from sounds the speech-impaired person can make with the (missing) rest of the voice-forming properties from an actual human voice. And you can actually become a voice-donor and help with that!

Rupal Patel explains it all in much more detail and depth in her TED talk. Which I found deeply touching - she really does bring the point across that a voice is a deeply personal thing.

If you are game to help now, you can go visit VocaliD and support them. For the moment, they are recording English speakers, but my guess is that if this works nicely, there will be a demand for other languages as well (and also, maybe, more than one language spoken by a single person).



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