The cat is sleeping beside me, and I am working my way through a gazillion and a half of (nice) emails, the sun is shining, I have Chai and chocolate cake for breakfast. There is gorgeous cloth waiting for me to work on a little later, preferably while sitting in the sunny wintergarden. Can a work week start in a nicer way?

While I am nicely swamped in work, you will get some links.

Here is a blog post about the adventures of an archaeological artefact after excavation. 

Oberösterreich (in Austria, obviously) has a database of archaeological sites, partly with find lists, which is still expanding. I'm hoping they will eventually include individual finds too.

If "Catal Höyük" rings a bell for you, the blog "Castles and Coprolites" might not only amuse you with its title, but also with the poem "Lady of the höyük".

Finally, a really amazing modern fashion dress, showing an old painting recreated as embroidery: Adam and Eve by Lucas Cranach, painted in the early 16th century.

(I just learned something new about blogger: when you insert a post title, then press return... it publishes. Does that mean I'm supposed to write the title after the text? Novel idea!)

I woke up to a gazillion emails this morning. I also woke up to the very nice and accomplished feeling that only the prepared edge for buttons (or button-holes) can bring:


The basted line has come out, in the meantime. The other line is stab stitches (Punktstich, for the Germans). It's a time-consuming stitch, but it makes the firmest, neatest, and most pleasing edge for anything that gets stress - such as button closures.


And that's the back of it. Lovely, innit?

(I am known to freak out in delight about stab stitch edges. Call me weird... but only after you have seen, and touched, a properly made one and did not freak out with delight yourself.)

Sometimes life throws you a challenge. My current challenge (well, the non-work-related one) is... vegetarian chili. That's not too bad, you say? That depends, I say.
I've made chili before, and it's basically an easy dish. But the version I'm going for now is actually low-carb vegan chili, due to several different persons with several different food issues that I would like to feed at the same time, out of one pot. And I am, very much, a meat person. I like the strong tastes and the taste mixture of meat with beans and tomato in a chili, very much so. I also like the texture of minced meat in the chili. And while beans are not that high in carbohydrates, they are high enough that I felt a need to put in something beside bean and tomato. Well, apart from my being sort of suspicious that it would be a little... bland otherwise.

So yesterday, I've bought tofu for the first time in my life, and though I've eaten tofu before (not much of that though) I have found out, this morning, why so many recipes talk about marinating it before using it. There was that time, at a living history event, when a piece of wood whittled off of something had fallen into my food bowl. (There's perils as well as joy in sharing camp with a very dedicated woodworker.) Wood, let me tell you, at least when it's fresh and not a weird wood like strongly resinated pine or juniper, tastes like... nothing. Sort of blandness personified.

The only difference to that piece of tofu I tried this morning? (I tried it raw and straight out of the bag, because I am a daring person and wanted to know how bad it possibly could be.) The wood was harder to chew. And probably contained less protein. So at the moment, a bit of tofu is hanging out in some marinade, and later on I shall put a bit of it into a pan and fry it to within an inch of its life... and then see whether my chili project will fly, walk, crawl, or jump over a friendly cliff into the ocean and sink like a stone.

(In the event that it should fly, I promise you the recipe. Should it totally tank, I will never speak of it again, though... so if you want a recipe, keep your fingers crossed for me!)

I'm sitting here with a nice cup of tea, a sleeping cat beside me, and a stack of (library) books to go through for several different projects. The quote I was still busy with yesterday is sent off, and I have a list of questions for the other one, so there's progress on that front.

There's also progress on the sewing - I have tested button sizes and decided on one, and the dress needs one more short fitting session to check and do some last markings if necessary, and then it's down to making the actual seams and hems to replace the current basting. Oh, and button-making, of course.

(If you are curious about how I make cloth buttons, I've made a post about that before - the last time I was making a bunch of them for a museum dress.)

I'm looking forward to the button-making. The thought alone of a little stack of little beautifully red cloth squares, sitting on a table waiting to be stitched, linen thread and wax lying ready beside the needle... it makes my fingers itch. Buttons... buttons are fun.

Sorry for the very belated blog post today - after settling down for the workweek yesterday, I seem to have developed some weird sudden muscle supertension with accompanying stuffy-brain syndrome that apparently still had part of my brain in its thralls today. The part that was supposed to remember to blog, for instance.

To make bad things even worse, I don't really have much to blog about today, since I had to take part of yesterday off to regenerate a bit. There's the same old, same old projects lying around on the desk. Though life, currently, has been spiced up by more discussions about pricing of things... people asking me how much to charge for their (textile) work. Fun times!

And the same old projects won't all lie for long, now. My one outline and quote is ready to be sent off tomorrow, after one final check, and the other one needs a phone call or two more but is not far behind. And then these two time-critical things are dealt with, and I can turn back towards all the other work to be done. Yay!

Ages ago (or at least what feels like ages), I posted about there being an exhibition about fabulous replicated textiles being shown in Dresden: Parade Textiles for August the Strong.

Special exhibitions somewhere off across the country are a tricky beast, if you ask me. You have to find out about them, and then you have to find a time and a way to get there. And until you've done that and been there, unless you happen across somebody else who already has and whom you can ask, you will not know whether it's worth the effort or not.

I've both traveled to a special exhibition to be totally exhilarated and in love with the thing, coming out of the door after hours and hours of monument-al pleasure, and traveled to a special exhibition that I would have regretted the time and effort put in had it been in the neighbouring town with 15 mins travel time, let alone three hours in the car. Single trip three hours, of course.

I also learned, over the years, that a Spec Ex will not necessarily be large - they can, in fact, be tiny. Which may be a good thing, or a bad one, or neutral, depending on a multitude of things.

Long story short - the most patient of all husbands joined me in travelling to Dresden over the weekend, to see the special exhibition, while the best of all neighbours kindly took care of the cat. (She has lots of personnel, you see.) We had opted for the train, since it's about the same time to spend in car or train, and with the costs our car is running, train was actually cheaper (plus gives you more reading, sleeping, and knitting time.) The special exhibition is one of the very small ones, which I had sort of half-expected, but the textiles shown are really, really beautiful. I would have liked some more in-depth info about the manufacture of the replicas, including more video of how they were made, and some inkling about the costs involved in having them replicated, but that was sadly lacking. The texts accompanying the textiles, both the old and the new ones, were also too technical to let non-textile geeks understand what was meant; an explanation of how velvet is woven, for example, would surely have heightened the appreciation of many of the visitors. I'd also have appreciated some close-up photographs together with the textiles shown, so that you could see the bindings a bit easier. The textiles are not all fully replicated yet, and we were dubious about the colours used in one of the hangings, but I found all the others truly spectacular; lots of gold and silk and a nice deep dark blue and nice shades of red.

After the room with the textiles, we went to look at some of the other exhibits. The museum is quite, quite large (even if you don't book the Historical Green Vault with your ticket), and it's chock-full of those baroque splendour thingies where small items are embellished with even smaller designs, and lots of bling added around it, and precious materials are turned into breathtaking things. Sunglasses, at some places, would be a good idea to dampen down some of the splendour.

And after our museum tour, we did what all good archaeologists do - we visited the museum (book) shop, which was a mixture of a museum shop with the necessary souvenirs, trinkets and postcards; a bookshop; and what Germans call "Modernes Antiquariat" where you can buy older books that have gone out of print for a reduced price.

Now, your typical archaeologist has a thing for buying books (ask our friends who helped us move!) and I am no exception. Especially exhibition catalogues - experience says that if you don't buy them when you can, you may not get the chance again. So we went home with... some more books.

In case you are interested in seeing the exhibition about the splendid textiles, it will still run until February 24. It's a small room with about one dozen pieces, part of those originals and part reconstructions, and being a textile geek will help you appreciate what is meant by "velvet, cut" and "or frisé". If you are a textile geek, though, you might really love it.

I'm still in the clutches of the current most urgent projects, wrapping up some prelim research and trying to figure out the necessary particulars (and, in some cases, waiting for responses). This is an interesting stage in any project, where everything starts to come together and take shape, and you learn new things and totally go like "wow, that is so amazing".

While I am working on (and totally looking forward to the weekend), you might be amused by this blog post giving you a strategy guide for your life seen as a game. 

Also, the blogging archaeology carnival digest is ready for you over at Doug's place. It's long, interesting, and with a large number of other blogs you might want to check out!