Latest Comments

Guest - Aislinn Dyestuff Citizen Science.
09. Oktober 2026
This is a great project. I look forward to the results. Thanks for letting us know.
Guest - Aislinn Time for...
09. Oktober 2026
Looks delicious!
Guest - Katrin Sprang Discussion
18. September 2026
Hi Rachel, I have looked for more photos of you, but that was not very successful. I found a link on...
Guest - Beatrix Sprang Discussion
15. September 2026
That lozenge pattern element is not a photograph, but a scan. So it should be to scale. But I pinned...
Guest - Katrin Sprang Discussion
15. September 2026
I was not referring to Rachel's reconstruction (is the reconstruction you refer to the one photograp...
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Comic.

If you are a tiny little bit into typography, you will have heard of a font called Comic Sans.


If there's debate about only one font out there, it's surely about this one. Personally, I can't understand why some people hate it so much (and yes, I have used it - it is a font that is easy to read for me in bad lighting, which is the reason why I once chose it for song lyrics to print out).

And it looks as if I'm not alone in not understanding the hate: Project Comic Sans is taking the font to re-write well-known logos and symbols. Do check it out, it is not only funny - it also shows how much fonts are perceived as part of a logo even if you are not aware of it.
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Book talk - Bill Bryson: At Home.

This has been hanging around in my drafts for months now - I had intended to read some more in the book, but I am not going to get around to that anytime soon. So here comes a review of the not-fully-read book. I hope you enjoy it anyways.

I picked up this book when I was last in England, since there was one of those typical "buy more books"-deals and I still had some English money left and some space in the luggage (and since bookdepository got bought by amazon, I tried to stock up in brick-and-mortar stores).

I had heard of Bill Bryson, and I knew that he wrote travelogues or something like that. Now travel books are not what I usually read, so I had never looked into them - but a history of private life? That tickles my fancy.

I started reading with high hopes to find a nice, thoroughly entertaining book about history. And I am now more than half-way through the book (in the "Garden" chapter), which has been enough for me to sum it up and do a review thingie before I put this book away.

Bill Bryson writes in a style that I find easy to read and with a pleasant voice, and I absolutely love the idea of wandering through a bit of our daily life and looking at details and their history. I also like history that isn't bone dry and history that looks at bits and pieces usually overlooked, like daily life stuff. And I'm not averse to some snark. So I should love this book, right? Well.

Bryson rambles on about things - inventions, architecture, how people did things a long (or not-so-long) time ago. However, I get the impression that often he is just telling some fact or factoid that he picked up somewhere, and he does not ask himself why things would have been done like that. Humans do some pretty weird stuff and have done so for ages - and they might do things that are laborious or long-winded or expensive or seemingly mean, but they never do so without a reason. It might be a psychological reason rooted somewhere in their culture, or a religious one, or come from any other socio-cultural reason, but there is something behind it. And this is what I, personally, find enormously interesting - and what seems not to interest Bryson, who prefers to state the fact and then sneer at the weird folks from back then who did such stupid stuff.

At least this is what it feels like for me when he tells things about stuff folks did back then. And there are some things written in his book where I just can't agree, or where I know a very, very different version, or where he got old outdated theories or misconceptions and is in fact plain wrong.

For instance, he states that "making food out of plants is hard work" - and that converting grasses like wheat etc. into edibles is a complex task, because "wheat is useless as a food until made into something much more complex and ambitious like bread" (p. 66). Ah. Well, first of all, when I think of wheat or even one of its early forms, I don't think of the grassy stalks - but of the seeds, which is a completely different thing. And then it is perfectly possible to eat wheat or other cereal without turning it into bread first: fresh seeds can be eaten raw, and they can generally be cooked and eaten, or soaked in water and eaten before or after they start germinating. This may not be such a staple as bread is today, but it is still possible. And it is, in fact, nutritious. And not hard work.

And then, of course, his textile "explanations". And his view of the middle ages.
Upon the death of a serf the lord was entitled to take a small personal possession, such as an article of clothing, as a kind of death duty. Often peasants only owned one main item of apparel, a type of loose gown [...]. The fact that that was the best that a peasant had to offer, and that the lord of the manor would want it, tells you about all you need to know about the quality of medieval life at many levels. (p. 84)
Erm, what? WHAT? Do I even need to write anything about that here? Dark ages, stupid people, all only playing with piles of mud or what?

But what I really find irksome in a history-ish book is the snark about those stupid people back then. As if we today were so, so much better, and smarter, and whatever. There's bits and pieces, facts and factoids jumbled together, there is no clear line to the book, and it's mostly looking down on history as a time that was, yes, interesting, but so very yesterday. Sometimes the condescending look is not very clear, but it's implied that life was so, so much worse back then. Colours were not fast, meats that were non-delicious were eaten because the delicious sheep and cattle were needed for work, furniture was plain and noncomfy, beds were either infested with lice or so toxic they were also harmful to their occupant, and so on.

Plus, once I find some outdated theories presented as current facts, I sort of get suspicious and will lose my trust in the book. And that also cuts down on how entertaining I find a read. It's possible that Bryson's research on the modern times was a lot more accurate than regarding the medieval period, but regarding medieval times, I believe he's way, way off at many places.

I had planned to write a much longer review, and I had in fact marked lots and lots of pages with examples of stuff... but I have no real desire to read more in that book, andI think I have made enough of a point to stop.

The concept of the book - looking at the house, the home, and tracing things back to their origins, still sounds like a brilliant thing to me. With a little more research and a lot less snark and condescension, this would have been a brilliant read. As it is now - I really cannot recommend it. And that makes me a bit sad. (Also - I could have lugged home a different book from the two-fer offer. One that I might have liked better. Meh.)
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06
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Yay! Newsletter!

I have finally updated the homepage at www.pallia.net - and for those of you in Germany (or at least reading German) who are interested in getting all the news from pallia, you can now sign up to a newsletter that will make sure you get all the interesting announcements.

Since most of my news-announcing is done via this blog, and this blog is English, the Germans who are not really at home with a foreign language always got to be a little disadvantaged. And while I will go on with this blog as usual, there's now a German language way to get the updates - including those not too interesting for an international audience.

Signing up is, of course, easy: Just go to www.pallia.net, and you can sign up right on the front page of the (German language) site. The newsletter will be used to announce workshop dates and the occasional larger shop update or places and dates where you can find me (and the market stall, probably).
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03
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Act against ACTA!

Poland and Austria have already raised their voices, and Germany is now getting in on the protests against ACTA. There's a website called http://www.stopp-acta.info/ (German and English), and it includes a wiki with dates for demonstrations in all countries, plus some more information on how you can act.

And there is more: everyone can sign this online petition, hosted by avaaz.org. Please click that link, sign the petition, and spread the word - we have to act quickly to have a chance at stopping ACTA!
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02
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The Textile Forum.

In case you are reading this and did not yet know, the Call for Papers for the Textileforum in September is still open - so if you would like to participate at the Forum with a paper or poster presentation, please register on our registration page. (I hope I managed to fix the bug with the UK postcodes - it was only accepting figures and no letters.)

The Textile Forum this year will have the focus topic "Metal in Textile Crafts", but any other topic is very welcome as well. It will take place in Germany, and we can offer the whole week including full board for only 300 €. This means you can have all meals together with your colleagues and will not have to think about where to get fed. We also can offer simple lodging included in that fee for the first dozen or so people who register - so don't wait too long!
In addition to being an event where crafters working in historical techniques can get together with one another and exchange tips, tricks - and questions, the Forum is always a boatload of fun and a perfect way to meet and get to know others who are working in the field of historical textile crafts. We are open to everyone with an interest in the crafty aspects of textile works, be they living history folks, conservators, professional textile workers, archaeologists, or hobby spinners - as long as you are interested in the crafts part of these techniques and in how things are (or can be) actually done, the Forum is for you. Don't miss this opportunity!
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01
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Friends are the awesomest thing.

Since I had some more little troubles with xmgrace yesterday, I used the Phone-a-Friend Lifeline and did just that. And thus got myself a nice little one-on-one, flesh-and-blood Grace tutorial.

Where I learned the following Two Rules for Getting Grace:
Rule one: If plotting or importing data does not work, you probably have a dumb user problem and screwed up your dataset. Which is easy to do - just add a line break at the wrong place, or leave a string in.
Rule two: When working with grace, pretend it's a jump-and-run game or an egoshooter - save early, save often, save lots of different versions. Grace has no undo function, and hitting the wrong button (or even the right button) at the wrong time can permanently screw up things.

I'm not sure whether there's a third rule - insist on grace being totally cool and a very good tool no matter how much trouble it can make - but I will find that out (probably).

For now, though, I know how to get stuff like this:


so I'm perfectly content.
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JAN.
31
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Oh Grace.

My computer has now successfully turned into a schizophreniac computer - it can run Windows and emulate UNIX too.
Now I only need to get xmgrace running properly (there are still some issues with my data import), and I can finally get those graphs with Gauss fits that I need for finishing my evaluation, and thus my article, and thus my preparation for the next paper (I will speak at the 3000 years of colour conference).

It's probably best that I have no clue at all anymore as to how much time I have invested in the spinning experiment. When I started out with this, I did not believe this would become such a huge item in my life. (I know what I would do if I had to decide again whether to do it or not, knowing how much would come after it. I would say... YES.)

So... please excuse me while I reboot my computer and try to find out where the issue is... and then hopefully finally get those histograms.
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