Do you know that feeling that to some events, there is something like a secret topic? One of the main chat-topics at Freienfels was quality in crafts and the ability or lack of that ability to discern good craftspersonship from bad craftspersonship and good material from bad. It seems to be a thing very much on the surface of the mind of many sellers and of many crafters at the moment - both joy about the fact that there are still people who value good craftspersonship and sadness about them being quite few and often restricted to medieval markets and fairs.
That is, in my opinion, largely due to the fact that even basic skills in craft things are not much valued in most parts of society today. It is no longer obligatory for girls to learn how to sew and embroider or for boys how to carve and build little wooden boats, giving both sexes at least a small grounding in fine motor skills and a glimpse into craftspersonship. After this gender-specific basic instruction in crafting had been in use for a long time, I was one of the lucky generation(s) when I was in primary school - because in my time, all boys and all girls had to learn how to crochet, sew, embroider, saw, file and drill, in the aptly named "Handarbeit und Werken" (Handarbeit referring to "traditionally feminine", textile-centric work, and Werken to "traditionally masculine" work involving hardware and wood). Back then, I mostly hated the Handarbeit part and especially sewing by hand - there are machines for that, after all! However, these lessons gave me the basic knowledge about seams, stitches and textile work and they schooled fine motor skills. Some of today's schoolchildren do not get any of these lessons anymore - and that does indeed show when they try to get started with the stuff. While I will gladly accept the necessity for the next generation(s) to get acquainted with electronics in a young age and develop their computer skills, I think that neglecting a basic craft instruction is not good at all. For example if you don't know how to mend clothing, you can either walk around with the torn garment or throw it away and buy a new one. And if you have never tried your own hand at making something, how will you be able to evaluate good quality?
There is a special, deep joy in seeing a masterly piece of crafts, even if you know you can't afford to buy it. I have had tears coming into my eyes quite a few times, standing before a thing awesomely well made - a knife forged to perfection, a felt bag masterly done in a very difficult technique, a pair of shoes where every seam, every stitch spoke of the abilities of its maker, a spherical wood capsule that closes just firmly enough, turned to perfection on a lathe. The ability to perceive good quality of material and craft does not come by itself, but has to be trained - it is easiest to see for somebody who has already dabbled into that specific craft, because then you will know or at least have an inkling of the difficulties in making the piece. And then a masterpiece of craft - it can be well and truely mind-boggling.
I am sorry for everybody who has not gotten some grounding in basic craft skills when still a youngster, and I am sorry for everybody who cannot get this joy through craft perception for at least one single craft. And then, quite related to that... I am still hoping that the awareness of good quality and the appreciation of craft skills will creep back into our society, and I am expecting the day that a well-made handcrafted one-of-a-kind item of good material will again be something to show off your status - because that is when we craftspeople will be sought after once more. And when joy through craft perfection and craft perception will again grow in our world.
