After two iterations of peer-review and lots and lots of prodding, re-writing, tweaking and polishing, I have received the good news: My article about the spinning experiment has been accepted by AAS. I have thus just transferred the copyright, in a version of an author contract that is quite... grabby. Another instance of academic publishing being different from "normal" publishing - but I'm happy to have gotten it off my desk, and out into the world. I will let you know once it's out!

For those of you who read German, there's a nice "protocol of a natural desaster" from the Middle Ages on tribur.de. Actually, it's not nice, it is quite tragic.

Also? There's a blog called The Archaeology of Tomb Raider.

Ever since the day that I laid hands on the woven fabric that Lena Hammarlund had created for the replica of the Gunnister Man costume (an article about this is in our very own "Ancient Textiles, Modern Science"), I have lusted after a nice replica woolen fabric.

Now, it seems, I might have the opportunity of having one woven. (Not for myself, that is. But I will take it if I can get it.) It's still up in the stars whether it will be possible or not, mind you, but it is closer within reach than ever before. And now I need... fabric pictures. Good-quality ones, of good-quality fabrics from the early 14th century, twill 2/1 or tabby 1/1. (Which is why Herjolfsnaes does not help, in this instance.)

It is surprising how hard it is to turn up with one of these, as the "normal" fabrics don't get the amount of attention that silks and special stuff does. Therefore, I'm on the hunt. Any hints (or pictures!) are greatly appreciated...

It's getting more wintery (or maybe still late-autumny) here, with fog in the morning and quite cold temperatures at night. Something outside seems to have changed for the cat, too - not just the weather, though. She's been all on edge these last few days, and this morning she even preferred her litter box to the garden flower beds, refusing to go out at all. We suspect there's a new cat in the neighborhood and they are on less-than-friendly terms. We have not discovered the culprit yet, though.

Speaking of discovery - I have re-discovered Doug's Archaeology Blog this morning, and this time I have added it to my reading list straight away. It's a lovely blog with lots of links and content and thoughtful articles, and if you are interested in behind-the-trowel archaeology (as in not only what is dug up, but who is doing it), I can heartily recommend it.

Another blog that looks like a fun read, with behind-the-scenes stuff: Powered by Osteons. Including critical (well, science-critical) reviews of Bones, should you be interested in that.

Final link for today - in case you have been looking for a database to work with in your excavation projects, you might want to take a look at this one. The IADB promises to be helpful with your documentation and research, up to and including the analysis of the finished excavation. (I guess you still have to do the work yourself, though...)

I have received two glorious, lovely and beautiful books recently - both for my personal (work-)library.

I'll start with the older of the two. It's Regula Schorta: Monochrome Seidengewebe des hohen Mittelalters (Berlin 2001). Just like the title hints, it is about solid-coloured silk fabrics from the 11th to about 13th century, with a few other fabrics (patterned, a bit earlier and a bit later) tossed into the mix. The book is mostly black and white with some colour pics, it's written in German, and it has detailed weave descriptions as well as fabric history and detail pics (showing both the front and back in several cases, hooray!). If you are interested in silk fabrics from that time, it's a beautiful book, and if you are lucky (like me) you can get it for much less than the shelf price of the new version in a second-hand bookshop. (ZVAB is both a blessing and a curse if you are looking for old books.)

The book is bilingual, in both English and German, with the catalogue (making up the main part of the book) in English only.It's 572 pp with colour and black-and-white illustrations, list price 78€, and available directly from the publisher or via the bookstore of your choice.
The pictures in this one are what you will probably want it for, if you want it - they are gorgeous, and there is lots of them, ranging from overview photos of each piece to detail pictures showing weave details, threads in close-up and even fibres in microphotos. And the catalogue part is all in colour.

It's fabric porn, folks. Really nice fabric porn. Now please excuse me while I look at some more close-ups...

 First of all, if you've waited for your blog post much longer than usual yesterday, I'm sorry - seems that the blog did its glitchy thing again. That's the thing when I click "Publish" and it looks like it does, and everything is fine and dandy, but the post is in fact happily hanging out with the other drafts, unseen by the world.

And now: Time for some unrestrained linking around again!

Over at Archaeologik, there's a (German-language) post about a new-ish book called "Europe invents the Gypsies". The book came out in 2011, and this year it won a price. There are a few English links under that post, too, shedding light on the still rampant prejudice and stereotype about Roma.

If you are interested in reenactment as the re-enacting of conflicts, there's a blog called "Historically Speaking" that might be of interest to you. Myself, I'm more a living history person, but still find it quite interesting to hear some more about reenactment now and then.

Notorious Ph.D. writes about the "History Girls" piece that was published in the Daily Mail. It's Ye Olde Gender Issues, but Notorious has a really nice way of adressing that stuff. I enjoyed her article, anyway.

Have you ever thought about learning Finnish? If you have, you might want to laugh at this. Here, on the same blog, is an explanation why it looks like it looks. And if you'd like to try some Finnish humour without learning the language first, take a look at depressing finland.

As the Finale of the Linking Aimlessly Installation of today: beautiful double-face weaving, by Ellen Harlizius-Klück (text in German).

For most of the things that I carry in my market stall and shop, there is one main reason for them being there: it's stuff I wanted, needed, or lusted after and could not get.

Much of the materials and tools common (or at least available) in medieval times are not common anymore, and some of them have outright died out. A lot of more modern tools - still made and used 30 or 50 years ago - are also slowly inching out of existence, not being manufactured anymore because the buyer prefers a cheaper mass-made version.

So when I tried to find gold thread - tough luck. Spindle sticks? Good quality netting needles? High-quality linen thread? Really, really hard to find (sometimes it's even hard to find somebody still able, and willing, to make them).
Most of the things I carry are thus made on order, just for my store, by someone able and willing to do the things like I want them (which is sometimes slightly weird-sounding to modern ears). Which means that getting a new product into the store takes a lot of time and effort spent in researching, prototyping, testing, and finding someone to produce it. Sometimes, that means a lot more time elapses than one would deem reasonable. Or that something is half-planned, but then has to stand back behind other, more pressing issues and projects. It also means that sometimes, a product runs out and I'm not able to replace it, because the person or company has quit, or some material is no more available, or similar issues. Or that it would be possible to make something, but is not really affordable - for me to stock it, or for you to buy it.

All this, however, also adds to the experience for me. Yes, I'd sometimes prefer stuff to be easier - but at least this way, I can be sure that everything is just so, and you can be sure that the things you get at pallia are sourced and selected carefully, and often made by very small companies or individual artisans.

Just in case you are curious now about my current object of desire - it's cutting edges. Shears and scissors, to be precise. I am searching for forms documented for the medieval times, and there has been a lead... so I am following it. Who knows, maybe in a few weeks or months, I may be able to offer tools for your cloth-cutting, too. Which would be... enormously exciting for me. And I hope for you as well!

If you like to look at weird marginalia and illuminations from medieval manuscripts (and who doesn't?), you likely knew Got Medieval. Sadly, that blog has been dormant for more than a year now.

Yesterday, thanks to a hint from a friend, I have stumbled across something not quite similar - but at least featuring weird (and beautifully weird) images from manuscripts: discarded images.

In contrast to Got Medieval, where you usually got a fun (but also enlightening) text about the image and why it might be there, discarded images just gives you the pic with its source plus a funny caption. Still, if you were looking for a regular fix of medieval marginal fun, it is probably a good place for you to check now and then. (Also featured: cat pics.)