In the (admittedly very small) team of Textile Forum organisers, I am the techie person. Which means that website stuff - making, updating, and so on - and mailing stuff is my job. And that, of course, includes the newsletter.

I have been using a small freeware newsletter programme these past years that is easy to use and generally very nice - apart from one thing: It has a tendency to mangle word wraps in the email. Now this could be fixed easily by some more care on my part (it's partly a dumb-user-problem), but I tend to forget to look out for that, and I have planned to do a pallia.net newsletter as well in the future, so I went out to search for a successor to my old prog.

And I found one. It looked nice, it sounded nice, it installed like a breeze (since I now know how to generate a new sql-database and which values to jot down for the server), it imported all my addresses nicely, and it has a bunch of nice features that are just what I need. And it's open source.

However, I have now run into a few bugs that ... bug me. Nothing totally serious, nothing that I could not work around, but irksome. And hey, I changed from my old programme to get rid of irksome! Not believing that this irksomeness had to be there, I went to look at the documentation. And then it dawned on me... this thing I installed? Has help files from 2008. Last update of the thing was also 2008. I downloaded and installed a zombie.

And this, my friends, is why one should always (always!) check for: a) latest update of the thing and b) check if there is proper documentation, FAQ, and (if available) help forums before installing a programme, and c) check when the last entries on the help forums were. Before installing. Because once you have an issue with the rampant zombie on your system... it's too late.

Now please excuse me while I put that undead body back to where it belongs and find myself a live one. With proper docs and support.

I have fixed new dates for the embroidery workshops - next counted work course will be held on January 28 2012, and the next non-counted work/picture embroidery course will be on January 29 2012.

If you are interested, you can find some more information via the links above - and I'd be delighted to see you there!

For those of you who are waiting for news regarding the next Textile Forum, here's some good ones.

We are planning for the Forum to take place in Mayen, Germany, in the brand new Laboratory for Experimental Archaeology, from September 10 to September 16 2012. We also have a focus topic for the conference, which will be "Metal in Textile Crafts".





This is a wide topic that can include anything from metal tools necessary over the use of metal embellishments like threads or rings to the use of metal salts in dyeing processes and the role of metal corrosion in the preservation of archaeological textiles - so a huge range of techniques and materials that is covered by the focus topic. In addition to that, we do welcome other topics too (as usual).

We have not figured out all the organisitorial details, but we are planning to have the usual full board and possibility to sleep on site. If you would like to present a poster or paper at the Forum, or give a demonstration or workshop, please contact us at info(at)textileforum.org, sending your name, address, and proposed title of your presentation/demo/workshop. This would help us a lot in the rest of our planning - and of course you are welcome to spread the word about the Forum!

I own a camera - a pretty good one, as I feel - and I like to use it. Which is good, since my line of work is made easier by being able to take photographs of stuff (including small stuff in bad lighting behind glass, also known as museum exhibits).

This, however, always means "no flash". Self-evident, right? Which in turn means that although my camera has a flash, I am never using it, and I don't own a real large flash (yet). Plus I only have a very rough idea on what to do with a flash. This is no problem for my work photography - but can be awkward for the other kind of pictures I like to take: portraits.

And yesterday, I stumbled across a photographer's blog who does have an idea of how to use a flash for good, soft, nice lighting to shoot portraits. And just in case you are interested in that, here's the link to the Tangents blog pages about flash lighting.

Doc, over at Medieval Cookery, has posted an article about how medieval a given "medieval" meal is.

And you can more or less use his three points - medieval ingredients, medieval recipes (or techniques) and menu (kit) consistency.

Speaking of medieval or not-really-medieval stuff, medievalists.net have outdone themselves. They have actually posted an interview (which is more or less really a plug) with a lady making "medieval leather clothing". I am not going to post a link to it - but I will tell you that I watched it, and that I could not decide whether to laugh hysterically or cry into my coffee. Leather garments in the Middle Ages are something that is not easily grasped due to the relatively sparse sources, and most leather finds we have are from shoes. Let's just say that the things shown in that video are not medieval in ingredients, recipes or menu consistency.

Wisely, medievalists.net have closed the interview article to comments.

You probably know that saying that goes something like "once it's on the internet, it stays there forever", right?

That is one of the nice and one of the not-so-nice things about the 'Net. Well, mostly nice, provided you don't have weird or compromising stuff about yourself up in there that you would like to get rid of.

One of the reasons things stay in the 'Net is the Internet Archive. That is a non-profit project to build an Internet library - to make sure that things do not get lost just because they only existed in digital form. Part of the Archive is the Wayback Machine which you may have heard of (timetravels in the 'Net!) and which I already knew, but I just recently discovered that there are  also texts in there. Texts as in scanned books in .pdf form: catalogues, how-to books, you name it. And that includes embroidery books and other texts about textiles. So a search of the Internet Archive may be worth a try!

On the occasion of a three-year research project on 'Dyeing techniques of the prehistoric Hallstatt-Textiles' funded by the Austrian Science FWF [L431-G02] at the Natural History Museum of Vienna both an exhibition and a symposium will be organized. In co-operation with the University of Applied Arts Vienna, the University of Natural Resources and Life Sciences Vienna, the Austrian Society for Textile-Art-Research and the Cultural Heritage Agency of the Netherlands at both events, a colourful spectrum of research and art is presented.

Exhibition:

colours of hallstatt |textiles connecting science and art

hallstattfarben | Textile Verbindungen zwischen Forschung und Kunst

Venue: Natural History Museum Wien

Date: 17th January to 29th of June 2012

Symposium:

3000 Years of Colour – from Tradition to Art and Innovation

2nd International Symposium on Hallstatt-Textiles

Venue: Natural History Museum Wien

Date: 21st to 23rd March 2012

Registration and further information: http://3000yearsofcolour.nhm-wien.ac.at

Hallstatt in Upper Austria is famous for its prehistoric salt mining. Due to the conservation by the salt, organic finds survived more than 3000 years. Among them are the oldest dyed textiles of Europe, from the Bronze Age (15th - 13th cent. BCA) and the Early Iron Age (Hallstatt-Culture, 800 - 400 BCA).

During both the exhibition and the symposium scientists and artists will provide you with a thorough insight into the unique world of prehistoric textiles and their colours. It will be shown how prehistoric dyers succeeded to use the colours of nature for dyeing textiles and what these colours mean to us today. The last three years scientists investigated the prehistoric dyeing and textiles techniques, analysed the dyes and fibres of the prehistoric finds, collected dye plants, cultivated woad, performed dyeing experiments and experimental textile archaeology and produced replicas of Iron Age ribbons. By the archaeological textiles, by ancient dyeing and textile techniques, by colours and ornaments artists were inspired to create objects of contemporary art.

In the exhibition the various topics will be presented together with prehistoric textile finds from Hallstatt, the reproductions of the ribbons and the art objects.

The three-day Symposium will include lectures of these topics, an art performance and tours of the exhibition and of the textile collection of the Papyrus Museum. A social program will enable you to exchange your experience with an international audience in a relaxed atmosphere and will complete your own "Hallstatt Experience".