It is a truth universally acknowledged, that when things come to happen, they do it in masses.

Ahead of me are three-and-a-half very full weeks, where I'm mostly away from home, doing things - giving workshops, holding presentations, doing museum inventory work, and, to balance out the work, having a few days off with the Most Patient of All Husbands inbetween. (I'm quite sure they will be needed...)

It's wonderful and exhilarating to be off and about and among people once more, though I admit I'm also a little anxious about this. There's still a pandemic happening, even though it is getting easier to ignore it all the time. I have masks, though (really well-fitting for a change, I'm quite amazed) and have just tested negative (something the Spinntreffen organisers were asking for, to self-test before going there), and I hope that I will have a sufficiently effective combination of being sensible and being lucky.

At the moment, I'm in the last bits of prep for the Spinntreffen of the Handspinngilde this weekend, and that means packing the car, printing out lists, and finishing putting together the workshop tools and materials. So once this post is done, I will hop out into the garden and cut some willow and hazel rods to serve as bow looms.

If you're interested in my presentation for the Hansemuseum Lübeck and the FGHO, it will be streamed live on YouTube on October 11, starting at 18:00. There's also still tickets available for those of you who prefer to be right in the room with me in Lübeck.

I will be back on the blog on October 24, when all my away missions are done and I'm back home - and I hope you will have a good time until then!

As I'm preparing the weaving workshop for bow loom weaving that I'll be doing on the weekend, one of the points is "preparing your weft yarn". Now, for a small piece like a band, there's several ways to do this, depending on what you want and how much you mind adding in a new bit of weft. You can just take a length of yarn and use that, no winding, no nothing. 

If you want a lot of yarn for use in one go, you can wind a shuttle. The simplest of these is the humble, but glorious, stick shuttle. Any stick in a length and thickness that suits you and your weaving will do, and you wind the yarn around it, and that's it.

Third option, somewhere inbetween: The yarn butterfly. There are several ways to wind yarn into a butterfly, and the simplest one is wrapping some yarn around your fingers and then wrapping the end around the middle of that mini-skein. That, however, tends to come undone. With a tiny little different way of winding, however, you can have a butterfly bobbin that you can pull more yarn from, which does not come undone, and which will serve beautifully in a lot of instances (not only when weaving). 

Nancy explains this very nicely on YouTube:

Here the little cat is, looking at me as I'm taking photographs to update some things in the shop: 

There's not much else to report, apart from all kinds of the prep mentioned before going on - for the Textile Forum, for the Spinntreffen, and for the presentation in Lübeck. There was some preparatory weaving yesterday evening for the band weaving on the bow loom, and there's a stack of distaffs waiting to be finished and prepared. I'm already looking forward to these, especially the weaving one - it's so nice to have in-person teaching opportunities again!

The cat, meanwhile, has settled down on a nice comfy chair and is taking a nap after the hard work of surveillance during my photo shoot.

(And while we're talking about cats - my thumb is fine again, and fully useable. So no lasting effects from having a cat tooth briefly stuck in it.)

Sometimes, there are small changes happening - because of some reason or other. Sometimes, these are just delightful. One of them, which we speculate are due to the pandemic, is the "zu verschenken"-Box. Or, to be more precise, its rise in frequency - the box and the basic concept did exist pre-pandemic, but you can see them much more frequently now.

For those of you not familiar with this (and it might be a German thing, I don't know), "zu verschenken" means "free to a new home". So if you de-clutter your kitchen, or your living room, or whatever, and there are things you'd like to get rid of but that are too good to throw away, and yet not valuable enough that putting them on a portal like ebay would be worth it, and not copious enough to make for a table at a flea market, or or you are just too lazy for all of that.... there's a very quick and easy way to deal with them.

You take a large enough cardboard box and a thick sharpie and write "zu verschenken" on the box. Then you place all the things inside the box and put everything on the curb (preferably to the side, so that there's still space for traffic to pass by) or in a suitable similar place. If there's a lot of stuff, a table and a sign will work as well. If you're living in the end of a little-frequented cul de sac, it might be worth it to carry the box to the next street corner. 

This has been seen occasionally before the pandemic, but since that time period when everyone was cooped up inside and a lot of time was spent going through stuff... they have proliferated. There was a time when you'd see them at about every second street corner, and now they are still much more common a sight than just a few years ago. Much to my delight, because I love the idea of this very low-key exchange, and I enjoy looking at the things offered (even if it's clear from 10 m away that there's nothing for me in the pile), and quite often we've taken off with a thing or two from the box. Our cat litter bin, for instance. Some of our flower pots. A few kitchen items. 

Today we took a little walk and came home with another large flower pot - very timely, as one of the old ones broke just two days ago. And then, just at the street corner at the start of the cul de sac that we live in, there was another box... containing, among more kitchen equipment, glasses and cups.

Those were a very welcome surprise, as the Textile Forum will take place, and we'll be a few more people than the place usually handles (or houses), so glasses were a little scarce. With the glasses and cups donated by my friends and those from the box, though, we'll now be  more than comfortably equipped... and I suspect that if someone wants to take a cup home as a souvenir, that might also be possible.

So hooray for the "zu verschenken"-Box - one of the good things caused by the pandemic.

You probably know this phenomenon - you have to do something to some stuff somewhere, and then you start doing it, and then you realise that it would be smart to do something else to something connected somewhere else first. And then... it might just cascade on from there.

Sometimes, that is all well and good, and it's sensible to start at the roots and do things from there up. Sometimes, though, the cascading can be just too much, and it would have been (or would be) better to do the incomplete thing and have it dealt with, instead of having it spiral out of control, attracting more and more work on its merry way.

The true art is probably to know where to stop, as so often in life.

You can probably guess that I'm not writing this out of the blue, too... the current cascading effect that I have to (potentially) deal with is, of course, connected to the photo database migration. (Which is progressing, hooray!) The old programme had flat, non-hierarchical keywords, and the new programme can do hierarchical ones, which is very nice and very welcome. The keywords themselves, though...

I've been adding keywords whenever it seemed necessary, and I tried to process and tag every image as it came into the database. Of course that did not work completely, and there are plenty of un-tagged images around. For the ones that do have keywords (which is most of them), they are not always consistent. That is, obviously, not helpful. So the plan is to clean up keyword issues as I'm sorting them into the new hierarchical structures.

In some cases, that's easy. Birds are animals, just as the tags "horse", "flamingo", or "dog" will go under animals. It's getting more difficult with objects. Fortunately, there's lists of hierarchies for object description and tagging available, developed by museum people and geared towards different focus areas of interest. The Getty Research Institute, for instance, offers a number of vocabularies. (Look for the "Browse ..." line when you are offered a search mask, that gets you to the full set.) For German cataloguing, there is, for instance, the "Objektbezeichnungsdatei" offered by the Digicult-Verbund. Because choosing what to catalogue, and what not, and how to do it, is not at all trivial, there's also literature about that, such as the "Cataloguing Cultural Objects" guideline, a slim and slender 407 pages small, free to download for everybody interested or in need.

One of my main questions for now is how to handle male and female clothing. For my old database, I had a sort-of-makeshift solution, stating "TunicMale" or "TunicFemale". That was not perfect, but it did work. Now I'm not sure what to do for marking things - do I split my clothing term hierarchy into "male garments" and "female garments"? That means that when searching for something unisex, I'll have to search for two terms. On the other hand, I wouldn't have the problem that when looking for, say, only women wearing hoods that also men come up in the search.

Another option would be to mark unisex garments with an (m) or (f) behind the tag proper, giving me the option of having that as a lower hierarchy tier and having the complete term above this. That's probably the better solution, even though it adds layers to the hierarchical tree - which is also something that should not be done too excessively. Ah well. Difficult decisions, but fortunately not ones that need to be taken right away, I can think about it for a bit longer!

It's getting cold here, rather suddenly - yesterday evening the weather forecast said something about lowest temperature down to 2°C. Which meant that we did a little bit of an evening "save the tomato plants" action, taking the potted tomatoes from their summer place in the garden outside into the wintergarden. Well, at least most of them - the ones with still a lot of fruits on them, and those tasting best. Some of the plants are still flowering, and I usually try to get a few of them over the winter. That does not always work, but if it does, it means very early tomatoes, and that is something not to be sniffed at.

In other news (which is probably more interesting for me than for you), I've made inroads on my email backlog, much to my satisfaction; import of data into the new photo database is still ongoing (it takes quite a lot of time to read each file). In addition to that, I did get a stack of things done today - mostly prep work and planning work for oncoming events that I'm totally excited about. One of them is, of course, the Textile Forum. Another one is an inventory project of a stack of museum textiles that I will do together with a colleague. Third in line is the Spinntreffen of the Handspinngilde in Rehe, time-wise coming up next, on the first weekend of October.

I still feel like I'm behind on a lot of things, though. Including getting this month's newsletter out, which is what I will be working on now... until it's time for a nice hot after-work tea, and a bit of chocolate, or something like that.

Oh, and if someone finds a spare week for me to use for catching up, I'd totally take it!

There's a newly opened exhibition, running until March next year, in Liebenau: 

The exhibition is based on the finds from excavations that took place between 2015 and 2019 - with the focus not on the finds themselves, but on what these finds might tell us about the life about 1000 years ago.

The exhibition is open on Sunday afternoons; you can find out more about it on the (German) website here.